Directed by Remi Weekes — Screenplay by Remi Weekes — Story by Felicity Evans & Toby Venables.
Every once in a while, you find yourself watching a feature-length debut that knocks you sideways and reminds you of just how magical debut films can be. Babak Anvari’s Under the Shadow was that kind of film and I think that Remi Weekes’ feature-length debut film, His House, is equally good. Weekes’ film has been released very close to Halloween 2020, and, even though the subject matter is not a classic horror story, the film is designed to fit into a classic horror movie subgenre. This is a brilliant haunted house flick. Continue reading “REVIEW: His House (2020)”→
The following is a review of Annabelle: Creation – Directed by David F. Sandberg.
Annabelle: Creation is a prequel to 2014’s Annabelle, which takes place twelve years prior to the first film. The film follows Sister Charlotte (played by Stephanie Sigman) and a group of orphans who move into the house of a former dollmaker, Samuel Mullins (played by Anthony LaPaglia).
The Mullins family lost their daughter to an accident twelve years earlier, but they are now ready to open their house to kids that will, at the very least, liven up the place. But not all dolls are created equal, and the Mullins family has one very special doll hidden in their daughter’s old room. That doll ‘is’ Annabelle, and she is ready to play on the young orphans’ fears. Continue reading “REVIEW: Annabelle: Creation (2017)”→
The following is a review of Lights Out by David F. Sandberg.
The first job of traditional, modern day horror films is to scare you. The very best horror films can have a paralyzing effect on you. They can frighten you so much that you don’t dare move out of your seat, look behind you, or look into a mirror to see what may be behind you.
Some of the most effective horror films are also very simple. The filmmakers take a very common fear or thought, and they manage to elevate your emotional response to things that maybe shouldn’t be as scary as they seem in daily moments. Continue reading “REVIEW: Lights Out (2016)”→