It’s finally time to reveal what films, shows, songs, performances, and games were my absolute favorites of the year 2020. Look, I know what you’re thinking, we’re already in July of 2021. But, to be perfectly honest with you, the last twelve-to-sixteen months or so have for obvious reasons made everything a bit unclear to me. Let’s just say, it was a weird year, as was also evident by the fact that AMPAS decided to push the eligibility window for their recent awards ceremony (which both honored 2020 films and select films from early 2021). I’m not doing that, though. I still have my strict year-end deadline, but, unlike the last seven I’m Jeffrey Rex Awards, I’m announcing both the nominees and winners of each and every category in this very post. So strap in, folks, and let’s talk about the best and most memorable culture of 2020.Continue reading “8th I’m Jeffrey Rex Awards – 2020”
In the first-ever monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at a solid Danish film from 2020, I tell you whether or not you should watch the new Danish television series that was released on Netflix on New Year’s Eve, and I also finally tell you what I think about the Russell Crowe starring vehicle Unhinged. Continue reading “Additional Bite-Sized Reviews, Dec. ’20: ‘Unhinged,’ ‘The Good Traitor,’ and ‘Equinox’”
Directed by Anders Thomas Jensen — Screenplay by Anders Thomas Jensen.
It is quite extraordinary that in a year like 2020, which has seen a global pandemic severely damage the film industry and movie theaters all around the world, somehow the Danish film industry has thrived. This year has produced several event films, so to speak, in my home country. It all began with Mikkel Nørgaard’s Klovn: The Final, which is a continuation of arguably Denmark’s most popular comedy series of the last two decades. Then, not too long ago, Thomas Vinterberg’s near-masterpiece Druk was released to rave reviews, and it has almost single-handedly revived Danish movie theaters. Now, this week, Anders Thomas Jensen’s black comedy Retfærdighedens Ryttere has been released in Denmark. It is strange to say this, but, in spite of the COVID-19 pandemic, this has been a remarkably strong year for the Danish film industry. Continue reading “REVIEW: Retfærdighedens Ryttere (2020)”
The following is a review of Krudttønden (international title: The Day We Died) — Directed by Ole Christian Madsen.
Ole Christian Madsen’s Krudttønden: The Day We Died is a dramatization of the 2015 Copenhagen terrorist attack that follows four different individuals — Finn Nørgaard, Dan Uzan, Omar El-Hussein, and Rico — in the days leading up to the shootings and when the shootings took place. Finn Nørgaard (played by Lars Brygmann) and Dan Uzan (played by Adam Buschard) were victims of the shooting, Omar El-Hussein (played by Albert Arthur Amiryan) carried out the shooting, and the worn-out police officer, Rico (played by Nikolaj Coster-Waldau), who is a composite character, had an important role in the manhunt for El-Hussein. One characteristic that these four individuals share in the days prior to the terrorist attack is that they are all frustrated about the roadblocks in life that overwhelm their daily lives. Continue reading “REVIEW: Krudttønden: The Day We Died (2020)”
I think 2019 was a very good year for Danish films. Sure, the great Danish selection, Dronningen (int. title: Queen of Hearts), was not nominated in the Best International Feature Film-category at the Oscars, but it was one of several noteworthy Danish films from 2019. There were exciting debut films, as well as strong follow-ups from proven filmmakers. But here’s the thing. I think 2020 is going to be even better. There are many Danish films in 2020 that I am looking forward to, and today I want to talk about eight of these films. So, if you have any interest in Scandinavian films, then read more below. Continue reading “2020 Watchlist: Eight Danish Films To Look Forward To – Special Features #60”