Godzilla x Kong: The New Empire (2024) | REVIEW

Godzilla and Kong teaming up in Adam Wingard’s GODZILLA X KONG: THE NEW EMPIRE — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Adam Wingard — Screenplay by Terry Rossio, Simon Barrett, and Jeremy Slater.

Whether you call them kaiju, titans, or just plain old movie monsters, everyone knows King Kong and Godzilla. They’ve been projected onto the big screen for decades upon decades and yet it was only at the most recent Oscars ceremony that a Godzilla film was awarded with its first prestigious little golden statue. Now that franchise is only three Oscar statues behind Kong, who gained AMPAS recognition long before they finally gave Godzilla its own golden statuette. It was, however, a Japanese Toho production and not an American one, which this film is, that earned an Oscar. Nevertheless, the Oscar indicates that audiences, critics, and industry representatives alike all have an appetite for engrossing monster movies with something to say. At least, that’s what I’m told Godzilla: Minus One, which I have yet to see, is. Godzilla x Kong: The New EmpireMinus One’s American cousin — is, however, pretty much just a silly monster movie (though I’m not sure it aspired to be anything else, so I don’t fully mean it is a pejorative). It has plenty of things going for it, but it also made me question what exactly we, or I, want from these kinds of films. 

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REVIEW: Godzilla vs. Kong (2021)

The enormous ape ‘Kong’ (right) journeys to the center of the Earth and goes head to head with the giant radioactive lizard ‘Godzilla’ (left) in Adam Wingard’s GODZILLA vs. KONG — Photo: Warner Bros. Pictures / Legendary Pictures.

Directed by Adam Wingard (‘The Guest’; ‘Blair Witch‘; and ‘Death Note‘) — Screenplay by Eric Pearson & Max Borenstein.

Versus-films are certainly nothing new. Films with titles such as Godzilla vs. Kong will probably always make me think of Paul W.S. Anderson’s Alien vs. Predator and its tagline: “Whoever wins, we lose,” which, in turn, makes me think of both Ronny Yu’s Freddy vs. Jason and Zack Snyder’s Batman v Superman: Dawn of Justice. None of those films are necessarily highly regarded by the vast majority of film critics, though I enjoy a couple of them, but there is of course one versus-film that trumps them all, Robert Benton’s legal drama Kramer vs. Kramer. That Oscar-winning masterpiece, which is nothing like the aforementioned films, is however, to put it mildly, an exception to the general rule, which is that versus-films are — at least now — mostly known as these show-stopping mash-up popcorn films. That is certainly the case with Adam Wingard’s latest film. It is, as one expected, nowhere near as good as Benton’s film, but it is, however, better than most of the other films that I’ve mentioned in this paragraph. Because Godzilla vs. Kong is a fun popcorn movie, which, with these kinds of blockbusters, is all you can ask for.

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REVIEW: Godzilla II: King of the Monsters (2019)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Godzilla II: King of the Monsters — Directed by Michael Dougherty.

I can’t say that I’m a big Godzilla expert. I’m what you would call a casual fan of the kaiju films. And when it’ll come to King Kong versus Godzilla in a few years, I’ll probably be on the side of the iconic ape. But that’s neither here nor there. I remember watching Emmerich’s Godzilla from 1998 when I was a kid (I don’t think I’ve seen it since), and I remember watching Gareth Edwards’ Godzilla from 2014 in the theater with my mother and my sister. I have no problem admitting that I was one of those people who was frustrated greatly by Edwards’ film which did, admittedly, give us these amazing visuals, but which suffered from the eponymous monster’s disappointing screen-time. With King of the Monsters, the kaiju-titan focused ‘monster-verse’ is course-correcting their approach to Godzilla, but, in doing so, they’ve unfortunately saddled a spectacular monster movie with thinly written characters and poor dialogue. Continue reading “REVIEW: Godzilla II: King of the Monsters (2019)”

REVIEW: Kong: Skull Island (2017)

Release Poster – Warner Bros. Pictures

The following is a review of Kong: Skull Island – Directed by Jordan Vogt-Roberts

In 2014, no film disappointed me more than Gareth Edwards’ Godzilla. It’s not a bad film, per se – and I do think Gareth Edwards is a talented director – but it remains one of the biggest movie disappointments over the last few years, for me. Therefore, I was, obviously, apprehensive about the next film in Warner Bros. and Legendary Entertainment’s monster movie cinematic universe.

My main issues with Godzilla were that Godzilla, essentially, had a story that was populated with mostly uninteresting characters, and that I also felt the marketing had promised me much more of both Bryan Cranston and the titular monster than we were given. Does Kong: Skull Island share those issues? Well. Yes and no. Continue reading “REVIEW: Kong: Skull Island (2017)”