‘Ballad of a Small Player,’ ‘The Home,’ ‘Det Andet Offer,’ and More | Bite-Sized Reviews

Top Row (L-R): ‘Ballad of a Small Player (Netflix);’ ‘The Home (Lionsgate /Roadside Attractions);’ ‘Det Andet Offer (SF Studios).’
Bottom Row (L-R): ‘Under Stjernerne På Himlen (SF Studios;’ ‘Opus (A24),’ ‘The Amateur (20th Century Studios).’

Every once in a while, I don’t quite have enough to say or the time to put it into enough words for me to write full, dedicated reviews for everything new that I see. So, from time to time, I will just post a short review on Letterboxd, and, as you may have noticed, sometimes these reviews find their way to this site in the form of bite-sized reviews in a compilation article. That is exactly what’s happening today.

In this article, I’ll give you my thoughts on two Danish films starring the same stand-up comedian turned actor, an action thriller that came and went without much fanfare, a mystery thriller that also came and went without making an imprint, a recent Netflix casino flick, and a retirement home-set horror film that may just be one of the worst films I’ve seen this year. Let’s get to it.

Continue reading “‘Ballad of a Small Player,’ ‘The Home,’ ‘Det Andet Offer,’ and More | Bite-Sized Reviews”

The Fantastic Four: First Steps (2025) | REVIEW

The Thing, the Invisible Woman, Mr. Fantastic, and the Human Torch in THE FANTASTIC FOUR: FIRST STEPS — PHOTO: Marvel Studios / Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Matt Shakman (WandaVision) — Screenplay by Josh Friedman (Kingdom of the Planet of the Apes), Eric Pearson (Thunderbolts*), Jeff Kaplan, and Ian Springer.

Although the Avengers are today the most well-known superhero group, even though the X-Men dominated the big screen in the 2000s, it was, in actuality, the Fantastic Four that were the original Marvel Comics team. Though Stan Lee and Jack Kirby created the Fantastic Four and found great popularity for the team often referred to as the ‘First Family,’ the team of four has long struggled to find the same success on the big screen that the Avengers and X-Men have enjoyed. Prior to this new live-action attempt at making a successful Fantastic Four film, there were four other films, none of which found success with fans and critics. There was the 1990s Roger Corman-produced, low-budget, and unreleased adaptation, then Tim Story got to release two fairly campy films about Marvel’s First Family in the mid-2000s both of which were largely dismissed by critics, before Chronicle-director Josh Trank got to sit in the director’s chair for 20th Century Fox’s Razzie Award-winning dark and gritty reboot, which Trank, notably, disowned publicly on Social Media during its week of release. It seems that it isn’t all that simple to make a good film about four of Marvel’s most iconic characters. Thankfully, this latest attempt succeeds where prior films failed. The Fantastic Four: First Steps is a strong superhero film that possesses a strong audiovisual identity and aesthetic, and it also does a good job of honoring the characters and the original creators. 

Continue reading “The Fantastic Four: First Steps (2025) | REVIEW”

REVIEW: Extremely Wicked, Shockingly Evil and Vile (2019)

Release Poster – Netflix

The following is a review of Extremely Wicked, Shockingly Evil, and Vile — Directed by Joe Berlinger.

Extremely Wicked, Shockingly Evil, and Vile comes from Joe Berlinger, the director of Conversations with a Killer: The Ted Bundy Tapes and is based on Elizabeth Kloepfer’s book The Phantom Prince about her relationship with the infamous serial killer Ted Bundy. Lily Collins stars as Elizabeth ‘Liz’ Kendall, a single mother who has met the perfect guy. He has a nice Volkswagen, he’s nice to her and her kid, and he is fairly attractive.

Zac Efron plays this man who seems to be too good to be true. That’s because he is. Because Efron is Ted Bundy, the man who we know as one of the most infamous serial killers in American history. As authorities catch up to Bundy, Liz becomes caught in a whirlwind with no sense of up or down. Liz doesn’t know if she is being played, or if the system is putting her new man behind bars unjustly. Continue reading “REVIEW: Extremely Wicked, Shockingly Evil and Vile (2019)”

REVIEW: Velvet Buzzsaw (2019)

Release Poster – Netflix

The following is a review of Velvet Buzzsaw — Directed by Dan Gilroy.

In 2014, Dan Gilroy’s directorial debut — Nightcrawler — became a hit with critics and audiences alike. It gave us a brilliant and rivetingly unhinged performance from its leading man, Jake Gyllenhaal, and it showed us that Dan Gilroy was a supremely talented filmmaker.

With his second directorial effort, Roman J. Israel, Esq., Gilroy stumbled a bit, even though that film had another committed lead performance — this time from Denzel Washington. Now, Gilroy and Gyllenhaal have reteamed for a horror film about the art world with Netflix’s Velvet Buzzsaw, and, though it isn’t quite a return to form, it shows us that Gilroy is perfectly capable of having fun with his art. Continue reading “REVIEW: Velvet Buzzsaw (2019)”

REVIEW: Bird Box (2018)

Release Poster – Netflix

The following is a review of Bird Box — Directed by Susanne Bier.

The post-apocalyptic novel upon which Susanne Bier’s film of the same name, Bird Box, is based came out in 2014. So, let’s just get one thing out of the way, its ideas, though perhaps stale in a world where A Quiet Place just came out months ago, do not deserve to be cast aside just because Krasinski beat Bier to the punch. Besides, A Quiet Place isn’t even the film Bird Box resembles the most. Continue reading “REVIEW: Bird Box (2018)”