Road House (2024) | REVIEW

(L-R) Jake Gyllenhaal and Conor McGregor in ROAD HOUSE (2024) — PHOTO: Amazon MGM Studios / Prime Video (Still image from the trailer).

Directed by Doug Liman (Chaos Walking) — Screenplay by Anthony Bagarozzi and Charles Mondry.

Whether its fans liked it or not, for more than ten years, there had been talk of an attempt to remake the Rowdy Herrington 1989 action cult classic Road House starring Patrick Swayze. Now in 2024, it is finally here, as it has been remade for modern audiences by The Bourne Identity and Edge of Tomorrow director Doug Liman, whose remake stars Jake Gyllenhaal in the role popularized by Patrick Swayze’s iconic performance — Dalton. Like in the 1989 film, Dalton is hired to be the bouncer at a bar early on in Liman’s film, but there have been significant changes, including the fact that now Dalton has a background in UFC fighting. He doesn’t have the steely focus as a professional bouncer either. Rather we first meet him as he gets ready to scam fighters in an underground circuit. In these opening scenes, Dalton is suicidal and only narrowly survives a suicide attempt early in the film. When he finally gets to the bar that he is supposed to be the bouncer at — a sunny, tropical Florida-set bar called ‘The Road House’ — it doesn’t take long for him to get involved in a fight to get a motorcycle gang off the premises. Soon, a local crime boss (played by Billy Magnussen) tasks the psychotic enforcer Knox (played by Conor McGregor) with taking out Dalton for good.

Continue reading “Road House (2024) | REVIEW”

REVIEW: Booksmart (2019)

Theatrical Release Poster – United Artists Releasing

The following is a review of Booksmart — Directed by Olivia Wilde.

Before I saw Booksmart, it had been impossible for me to avoid the online bombardment of incessant comparisons between Booksmart and Superbad. The comparison made sense, even when I hadn’t seen the film. This is a coming-of-age film about two best friends who want to have a good time before they leave for college. Also, one of the two leads in Booksmart is Superbad-star Jonah Hill’s sibling Beanie Feldstein. Having now seen Olivia Wilde’s directorial feature debut, I have to admit that it would be wrong to say that it isn’t very similar to Superbad. Thankfully, though, I grew up with Superbad. I love Superbad. So it pleases me to say that any comparison to Superbad is by no means meant to be anything other than a compliment of the highest order. Booksmart is a modern, sweet, and gender-swapped, next-generation version of Superbad and I loved every minute of it. Continue reading “REVIEW: Booksmart (2019)”