Directed by Denis Villeneuve (Blade Runner 2049) — Screenplay by Jon Spaihts, Denis Villeneuve, and Eric Roth.
When science-fiction neophytes first lay their eyes on the marketing material for Denis Villeneuve’s latest science-fiction film, Dune, they should be forgiven, if they immediately remark that it looks like an imitation of Star Wars — or other similar films. Obviously, they would be under a false impression, but, after all, it is a little bit strange that one of Star Wars‘ most obvious sources of inspiration — Frank Herbert’s 1965 novel Dune — has not previously generated a widely known or appreciated adaptation.
In fact, the Dune property is perhaps especially renowned for being difficult to adapt. Famously, Alejandro Jodorowsky tried but failed to get an adaptation off the ground, while David Lynch’s adaptation from 1984 was critically panned. Those ‘failed’ attempts are, in fact, more widely known than the Sci-Fi Channel mini-series that the franchise also spawned. Legendary Pictures and Warner Bros. have now entrusted auteur Denis Villeneuve with the job of adapting Frank Herbert’s rich, influential, and dense source material, and I think that was a very smart decision.
The following is a review of Pirates of the Caribbean: Dead Men Tell No Tales (also known as, Salazar’s Revenge) – Directed by Joachim Rønning & Espen Sandberg
Pirates of the Caribbean: Dead Men Tell No Tales is the fifth film in the series, and, sadly, not all of them have been great. I’d even go as far as to say that there really are only two legitimately good Pirates of the Caribbean film — the first two films. The franchise has struggled to reach the heights of the first two films, and Dead Men Tell No Tales doesn’t change the pattern. The latest entry in the Pirates of the Caribbean-franchise is pretty bad. Continue reading “REVIEW: Pirates of the Caribbean – Dead Men Tell No Tales (2017)”→
The following is a review of mother! – Directed by Darren Aronofsky
In a couple of days, the internet is going to be ablaze with criticism and controversy following the opening weekend of Darren Aronofsky’s mother! In fact, some may say that it already is. I wouldn’t know. I’ve tried to stay away from the hype surrounding this movie, mostly because I was hooked from the first trailer. The first trailer showed me everything I thought I needed to know about the movie, and I think most people were intrigued to see an Aronofsky film that certainly looked like a creepy thriller. But let me tell you this much, it may not be the movie you think it is. Continue reading “REVIEW: mother! (2017)”→