REVIEW: Black Adam (2022)

Dwayne Johnson is BLACK ADAM — PHOTO: Warner Bros.

Directed by Jaume Collet-Serra (Jungle Cruise) — Screenplay by Adam Sztykiel, Rory Haines, and Sohrab Noshirvani.

Does anyone really know what Warner Bros. Discovery and DC Comics are doing with their immensely popular comic book characters on the big screen? Half the time it sounds like they want to copy what Disney and Marvel are doing, and the other half it sounds like they want to do a little bit of everything. That latter suggestion is unfocused but it is also a little bit exciting that they are prepared to do anything. That we can get a deeply gritty Halloween-set Batman film and a more brightly colored tongue-in-cheek superhero comedy for all ages in Shazam! with DC Comics is good fun, but I’m not sure fans, general audiences, or the higher-ups are on the same page. Some fans want a patient build-up in the vein of the Marvel Cinematic Universe, some want a return to Nolan-esque grittiness, and others are desperate for Zack Snyder’s vision for the DC universe to live on. Time will tell if they can have it all, but, in trying to appeal to the most amount of people, Jaume Collet-Serra’s underdeveloped Black Adam raises some eyebrows, as it feels very much like a film that has been tinkered with by higher-ups so much over the years that it has gone stale, which is a shame since Dwayne “the Rock” Johnson has been waiting for 15 years to make his mark as the titular antihero.

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REVIEW: Jungle Cruise (2021)

Emily Blunt as Lily Houghton, Dwayne ‘The Rock’ Johnson as Frank, and Jack Whitehalll as MacGregor Houghton in Disney’s JUNGLE Cruise — Available now in theaters and on Disney+ with Premier Access — Photo: Disney / Disney+.

Directed by Jaume Collet-Serra — Screenplay by Michael Green, Glenn Ficarra, and John Requa.

There are many films that have been turned into theme park attractions as a direct result of their popularity. However, the reverse doesn’t happen successfully as frequently. We rarely see great films that are instead based on popular attractions. Disney did find that kind of success, when Gore Verbinski turned the Pirates of the Caribbean-attraction into a beloved film franchise. It wasn’t Disney first or last attempt at making a successful film out of one of their many theme park attractions, but they have all mostly failed to garner the same success that Verbinski’s beloved films did.

Some of the not-so-successful attempts include the Eddie Murphy-led The Haunted Mansion and Brad Bird’s Tomorrowland. Jaume Collet-Serra’s Jungle Cruise is based on the Disney attraction of the same name, and, even though it is not a true home run for Disney, I think it’s definitely the best of its kind since Verbinski’s swashbuckling action-adventure trilogy set sail.

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REVIEW: The Commuter (2018)

Theatrical Release Poster – Lionsgate

The following is a review of The Commuter — Directed by Jaume Collet-Serra.

A couple of months ago, when I was getting ready to write about the box office potential of the January 2018-releases, I noted that I had grown tired of the endless supply of Liam Neeson action films. It isn’t that the films are egregiously bad, and they are in no way, shape, or form detrimental to the power of cinema — but each time Neeson has starred in another action film, it almost always felt like a tired retread of TakenContinue reading “REVIEW: The Commuter (2018)”