The Life of Chuck (2025) | REVIEW

Tom Hiddleston in Mike Flanagan’s THE LIFE OF CHUCK — PHOTO: NEON (Still image from trailers).

Directed by Mike Flanagan — Screenplay by Mike Flanagan.

Over the course of the last ten years or so, one of the more interesting developments in horror filmmaking when it comes to adapting a previously released source material has been following Mike Flanagan go from original horror filmmaker on the rise to being particularly skilled at adapting notable works from Shirley Jackson, Edgar Allan Poe, and, chiefly, Stephen King. Although I am still of the opinion that his best work is his original horror series Midnight Mass, which itself was clearly inspired by King’s work, he is likely more known for his actual Stephen King adaptations. Gerald’s Game was a skillfully and confidently made psychological horror film, Doctor Sleep was a significant achievement in that it managed to honor both Kubrick’s The Shining and King’s original vision, and, recently, Flanagan’s adaptation of the Stephen King short story The Life of Chuck — notably not a traditional horror narrative — has served as another notable milestone for the writer-director. When it had its festival release at the Toronto International Film Festival in 2024, it earned its filmmaker the coveted People’s Choice Award, and when it had its theatrical release in 2025, it garnered passionate responses but failed to land any Oscar nominations, despite the aforementioned audience award often leading to such. When I finally saw it last weekend, I saw why the film has earned such a strong word-of-mouth.

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REVIEW: Luca (2021)

“Luca” Still Image – Photo: Disney / Pixar.

Directed by Enrico Casarosa — Screenplay by Jesse Andrews & Mike Jones.

Pixar’s Luca, which is available to watch right now with a Disney+ subscription, is a, pardon the pun, fish-out-of-water coming-of-age story about Luca (voiced by Jacob Tremblay), a teenage sea monster, who is curious about what exactly happens above the surface of the water. His parents — voiced by Maya Rudolph and Jim Gaffigan — tell him to stay away from the surface out of a fear that the sea monster-fearing humans might catch him. But Luca, like another Disney-protagonist once sang, wants to be where the people are.

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REVIEW: Doctor Sleep (2019)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Doctor Sleep — Directed by Mike Flanagan.

How do you please the fans of two very different masters of storytelling (i.e. Stephen King and Stanley Kubrick) when the storytellers’ understanding of The Shining differs so much that the author, Stephen King, once disowned director Stanley Kubrick’s extremely popular adaptation? How do you continue the story of The Shining on the big screen, when King and Kubrick’s endings are in conflict with each other? Those questions made the adaptation of Stephen King’s Doctor Sleep, a sequel to his hit novel The Shining, an incredibly daunting task exactly because audiences would expect it to also be a sequel to Kubrick’s beloved masterpiece. Mike Flanagan, a promising horror filmmaker who adapted Stephen King’s Gerald’s Game into a terrific Netflix film, was eventually chosen for the difficult task. Ultimately, I think Flanagan, who both wrote, directed, and edited Doctor Sleep, did an outstanding job. Flanagan has confidently united two clashing visions in this quite satisfying, but undeniably unnecessary sequel. Continue reading “REVIEW: Doctor Sleep (2019)”

REVIEW: The Predator (2018)

Theatrical Release Poster – 20th Century Fox

The following is a review of The Predator — Directed by Shane Black.

While I enjoy both franchises, I’ve always been more of an Alien-fan than a Predator-fan. I don’t rewatch the classic original Predator-film often, I don’t have a particularly favorable opinion about the sequels. In fact, the spin-off film Aliens vs. Predator: Requiem is one of the films that I dislike the most. Continue reading “REVIEW: The Predator (2018)”

REVIEW: The Book of Henry (2017)

Theatrical Release Poster – Focus Features

The following is a review of The Book of Henry – Directed by Colin Trevorrow

About a month ago, Colin Trevorrow was replaced by J. J. Abrams as the director of the forthcoming Star Wars: Episode IX. Why am I putting that information into my review of a completely different movie?

Well, because when The Book of Henry was released in the United States back in June, critics actually speculated that this film might cost Trevorrow his chance at directing a Star Wars movie. I think it probably did factor into Lucasfilm’s decision, because The Book of Henry really isn’t a good movie. Continue reading “REVIEW: The Book of Henry (2017)”