The following is a review of The Call of the Wild (2020) — Directed by Chris Sanders.
Chris Sanders’ The Call of the Wild is an adaptation of the Jack London short adventure novel of the same name from 1903, which, since 1923, has been made into several films. Set in the late 19th Century, the film follows Buck (motion-captured by Terry Notary), a large and excited St. Bernard-Collie dog. In the film’s opening, the oversized, eager, and excited dog from California is abducted, crated, and put on a ship headed for Yukon. In snowy Yukon, Buck is then swiftly sold to become a sled dog, which he struggles with. Over the course of the film, Buck experiences wilderness, he leads by example, and he encounters new masters and friends, including John Thornton (played by Harrison Ford), a grumpy and world-weary nomad, who learns to love man’s best friend. Continue reading “REVIEW: The Call of the Wild (2020)”→
The following is a review of The Ballad of Buster Scruggs — Directed by Joel and Ethan Coen.
Netflix has come a long way since its first original film in the western genre, 2015’s The Ridiculous Six, which was so poorly received that it still now, at the time of writing, has a 0% score on Rotten Tomatoes‘ Tomatometer. Not a single Rotten Tomatoes approved critic liked the film that I called “possibly the worst film of 2015.”
Now here we are in November of 2018, and now Netflix has a new western original film to champion. Netflix has teamed up with the widely celebrated Coen Brothers to release a collection of American western stories presented as an anthology film and not as a series, as it was previously reported as. The Coens’ The Ballad of Buster Scruggs is hysterical, sad, and morbid, and it is one of my favorite films of the year thus far. Continue reading “REVIEW: The Ballad of Buster Scruggs (2018)”→