Thunderbolts* (2025) | REVIEW

(L-R) David Harbour, Hannah John-Kamen, Sebastian Stan, Florence Pugh, and Wyatt Russell in Marvel Studios’ THUNDERBOLTS* — PHOTO: Walt Disney Studios Motion Pictures / Marvel.

Directed by Jake Schreier (Beef) — Screenplay by Eric Pearson (Black Widow) and Joanna Calo (The Bear).


When it comes to the Marvel Cinematic Universe (MCU), Marvel Studios and fans alike like to think of the series of films in distinct phases, with the first three being known as the Infinity Saga, which culminated in Spider-Man: Far From Home and Avengers: Endgame in the summer of 2019. Since then, the MCU has operated within the so-called Multiverse Saga, which, however, has largely struggled to recapture the spirit, enthusiasm, and success of the first three phases. Phases four and five have had incredible highs (e.g. Spider-Man: No Way Home) but also messy lows (e.g. Captain America: Brave New World), and with Marvel Studios’ latest release, Thunderbolts*, they’re hoping to end phase five on a high and right the ship before the sixth phase of the MCU, which is set to include major event films such as The Fantastic Four: The First Steps and two Avengers films. Whether or not Marvel Studios can recapture the prominent pop culture spot they once held is still very much up in the air, but Thunderbolts* (the asterisk is there for a reason) is definitely a step in the right direction.

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All of Us Strangers (2023) | REVIEW

Jamie Bell and Claire Foy in ALL OF US STRANGERS. Photo Courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.

Directed by Andrew Haigh — Screenplay by Andrew Haigh.

Loosely based on Taichi Yamada’s 1987 novel titled Strangers, Andrew Haigh’s All of Us Strangers follows Adam (played by Andrew Scott), a lonely screenwriter living in a high-rise London apartment building. One night, a drunk neighbor, Harry (played by Paul Mescal), knocks on his door hoping to have a good time with Adam that night. Though Adam refuses, Adam starts getting closer to Harry in the days to come. This is in part because he’s starting to work through some of his issues. Why now all of a sudden? Well, when, one day, Adam takes the train back to his hometown to look at the town he grew up in and around, he is approached by a man (played by Jamie Bell) who turns out to be his father. Adam’s parents died in an accident when he was just a young boy, and yet here is his father — at the exact same age that he was when he passed away. His father invites Adam back to his childhood home where he finds his mother (played by Claire Foy), who is also the same age that she was when she died. Overjoyed to reconnect, Adam and his parents gradually start to open up about things once left unsaid. 

Continue reading “All of Us Strangers (2023) | REVIEW”

The Academy Got It Wrong? – Motion Picture Thoughts #9

Academy Analysis 2016

This edition of Academy Analysis covers every Best Picture Winner since the 63rd ceremony (March 1991), ending with the 88th ceremony (February 2016).

So, one of the things I want to do in Motion Picture Thoughts is to really highlight the Academy Awards. I watch it every year. I obsess over nominees. I’m just incredibly intrigued by the Oscars. So, a couple of months ago, I decided to write about the best picture winners at the Oscars. In the future, I may focus on another award. Continue reading “The Academy Got It Wrong? – Motion Picture Thoughts #9”