Babettes Gæstebud (1987) | CLASSIC REVIEW

Stéphane Audren in Babette’s Feast — PHOTO: Nordisk Film.

Directed by Gabriel Axel — Screenplay by Gabriel Axel.

Based on the story of the same name from Danish author Karen Blixen (sometimes referred to as Isak Dinesen, which is her pen name), Gabriel Axel’s Babettes Gæstebud (international title: Babette’s Fest) follows Martine (played by Birgitte Federspiel) and Filippa (played by Bodil Kjer), two elderly and deeply religious sisters who take care of the religious community in which they live in a small village on the western coast of Jutland in Denmark. The community hasn’t been the same since the sisters’ father — a respected preacher — passed, the sisters haven’t been able to live out their romantic hopes and dreams because of him, and whenever the townspeople get together, it becomes clear that they are dissatisfied with their predicament. Eventually, a French housekeeper, Babette (played by Stéphane Audren), stops by the sisters’ house and begs to be able to stay with them. The sisters can’t pay her, but they allow her to stay with them and work alongside them. When Babette, one day, finds out that she has won the lottery, she decides that she ought to give back and let the community experience a true and lavish French dinner.

Continue reading “Babettes Gæstebud (1987) | CLASSIC REVIEW”

REVIEW: Toscana (2022)

Anders Matthesen and Cristiana Dell’Anna in Mehdi Avaz’s TOSCANA – Photo: Netflix.

Directed by Mehdi Avaz — Screenplay/Story by Mehdi Avaz & Nikolaj Scherfig.

Thus far, Netflix has tried, and tried again, to make the kind of Danish hit series that would rival foreign language series hits like Germany’s Dark. They haven’t succeeded yet, as most of their series just come and go without making much noise. Shows like The Rain, Equinox, Chosen, or Elves weren’t really it, even though some of them had their moments. The Chestnut Man is, in my mind, still the best Danish straight-to-Netflix series that has come out.

However, when it is released on Netflix internationally on June 2nd, the revival of the Danish political fiction series and international hit Borgen — with its fourth season subtitled Power & Glory — could still amass a large following outside of Denmark (the season actually completed its run on Danish television a little while back, and I may write about it in the future). Toscana, however, is the first Danish Netflix Original Film, which is of course a big deal for the streamer and for the film’s director. Unfortunately, it is a film that I can’t recommend because there really is nothing fresh about it.

Continue reading “REVIEW: Toscana (2022)”