Lanterns – Season One (2026) | TV REVIEW

John Stewart (Aaron Pierre) and Hal Jordan (Kyle Chandler) in LANTERNS -- Photograph by John Johnson / HBO Max.
John Stewart (Aaron Pierre) and Hal Jordan (Kyle Chandler) in LANTERNS — Photograph by John Johnson / HBO Max.

The James Gunn-shepherded transmedia shared narrative known as the DC Universe hopes to relaunch DC Comics’ library of characters to the world in a way that is more warmly received than the Zack Snyder-led DC Extended Universe. We’ve already gotten three distinct shows, all on HBO: Dean Lorey’s Creature Commandos, an adult animation series; James Gunn’s Peacemaker, a superhero action-comedy series starring John Cena; and now, Lanterns, a superhero show about the Green Lanterns presented as a grounded buddy-cop neo-Western detective drama. To make a super-grounded, HBO prestige television version of the brightly colored space crime-fighters, the network and DC Studios turned to a fascinating trio, or corps, of writers in the hope that somehow something could be made that could satiate DC die-hards and the non-comic book savvy, HBO faithful alike. They enlisted renowned comic book writer Tom King, Ozark‘s Chris Mundy, and, finally, Damon Lindelof, one of television writing’s biggest names given his work on Lost, The Leftovers, and Watchmen. The first season of the show, which just ended last weekend, was in many respects a success, but there were a couple of hiccups related to structure, consequences, and groundedness. However, those hiccups did not ruin its chances of being a contender for a place in the pantheon of great superhero storytelling on television, even if this is not quite as well-written as Watchmen.

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REVIEW: Sergio (2020)

Release Poster – Netflix

The following is a review of Sergio — Directed by Greg Barker.

Greg Barker’s Sergio is a biographical drama about Sérgio Vieira de Mello’s career as a United Nations diplomat and peace activist. The seasoned Brazilian humanitarian lost his life in a terrorist attack in Baghdad in 2003, and this film takes us back to his final moments. The straight-to-Netflix true story is based on both the 2009 documentary of the same name, which was also directed by Greg Barker, and Samantha Powers’ biography Sergio: One Man’s Fight to Save the World. Since Barker directed an award-winning documentary about the aforementioned diplomat, it is not exactly a surprise to see that he has now made a narrative feature film about the same non-fictional subject-matter. What is, however, quite interesting is that Greg Barker has made a film where a love story is at the heart of it. Continue reading “REVIEW: Sergio (2020)” →