Broker (2022) | REVIEW

Song Kang-ho and Gang Dong-won in Hirokazu Kore-eda’s BROKER — PHOTO: Zip Cinema & CJ ENM Co, Ltd, All Rights Reserved.

Directed by Hirokazu Kore-eda — Screenplay by Hirokazu Kore-eda.

First released in competition at the Cannes Film Festival last year, Broker is the 15th narrative feature from Japanese filmmaker Hirokazu Kore-eda. The film takes place in South Korea, and it primarily follows Ha Sang-hyeon (played by Song Kang-ho) and Dong-soo (played by Gang Dong-won) as they steal a baby from a baby box (a concept that was new to me) — a box where mothers can leave their newborn babies and thus anonymously give them up for adoption or an orphanage — to sell it on the adoption black market. Soon, the young mother (played by Lee Ji-eun) who abandoned her child tracks them down and joins them on a road trip to help them interview the child’s potential parents. Meanwhile, the authorities are on their trail and trying to catch them in the act of selling the bay.

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REVIEW: Train to Busan: Peninsula (2020)

Theatrical Release Poster – Next Entertainment World

The following is a review of Train to Busan: Peninsula (‘반도’) — Directed by Yeon Sang-ho.

Due to the COVID-19 pandemic, cinephiles have stayed away from their beloved cinemas for several months, but, at the end of July, I finally went back to the movie theater. Now, obviously, I should say that this was only possible for me because I live in Denmark where movie theaters have been open since the end of May 2020. Please note that you should absolutely only go to the movie theaters if it is safe to do so where you live. But I will say that it was good to be back, even though the movie that I returned to the movie theater to watch maybe didn’t give me the escapism that I may have needed. After all, this is a movie about a dangerous epidemic in an Asian country that leads to quarantines and lockdowns. Nevertheless, I was very happy to be able to watch a new movie in an actual movie theater for the first time in several months. Again, it was good to be back. Continue reading “REVIEW: Train to Busan: Peninsula (2020)”