A House of Dynamite (2025) | REVIEW

Trailer title card — PHOTO: Netflix.

Directed by Kathryn Bigelow — Screenplay by Noah Oppenheim.

For most of this young century, Point Break director Kathryn Bigelow has dedicated her filmmaking career to these intensely political thrillers that have sparked a lot of discussion at the time of release (e.g., The Hurt Locker, Zero Dark Thirty, Detroit). Now, eight years after the release of Detroit, Bigelow is back with another political thriller with its finger on the pulse of America and the world with Netflix’s A House of Dynamite, an occasionally thrilling and terrifying apocalyptic triptych about a fictional immediate panicked response to a single nuclear missile headed for America. 

Continue reading “A House of Dynamite (2025) | REVIEW”

REVIEW: Hillbilly Elegy (2020)

Hillbilly Elegy - Still Image - Lacey Terrell - Netflix
‘Hillbilly Elegy,’ Still Image — Photo by Lacey Terrell / Netflix.

Directed by Ron Howard — Screenplay by Vanessa Taylor.

Though it was once touted as a huge player at the upcoming Academy Awards, the overall critical reception of Ron Howard’s adaptation of J.D. Vance’s memoir Hillbilly Elegy has been surprisingly negative. What was once looked upon as the film that might finally be the vehicle that would give Amy Adams and Glenn Close the Oscars that their careers most definitely deserve, now looks like a surprisingly unengaging piece of Oscar-bait, which is a term that refers to films that give off the impression that they were made only to be nominated for Oscars. However, while I do think one performance is good enough to earn praise at awards ceremonies, the film as a whole is not memorable or good enough to leave a lasting impression. Continue reading “REVIEW: Hillbilly Elegy (2020)”