The following is a review of Overlord — Directed by Julius Avery.
I won’t be the first or the last person to make this comparison, but Avery’s Overlord could’ve easily been the basis for a Wolfenstein game, a hugely popular and long-running video game series — the title font on the poster above is even similar to the font used for the latest Wolfenstein-logo. Continue reading “REVIEW: Overlord (2018)”→
The following is a review of Dunkirk – Directed by Christopher Nolan.
Christopher Nolan is one of the most celebrated directors of the 21st century thus far, and it is for a good reason. In my opinion, Christopher Nolan hasn’t made a bad film yet, and I would even go as far as saying he has made multiple masterpieces and very few missteps in the last fifteen-to-twenty years. While Dunkirk doesn’t contain the most impressive story, it is an amazingly impressive film. Dunkirk is a technical masterpiece and the best film of the summer of 2017. Continue reading “REVIEW: Dunkirk (2017)”→
The following is a review of the Netflix Original Show about French politics: Marseille.
In mid-to-late 2014 Netflix arrived in France, and by now the streaming service has pretty much gone global. It was only a matter of time before Netflix catered directly to the French-speaking audience by producing a show centered in France, with the French language at the forefront, available everywhere. Marseille is the newest political drama, following in the footsteps of American shows like House of Cards and Boss, as well as the Danish show Borgen. Continue reading “REVIEW: Marseille – Season One (2016)”→