Directed by Alex Garland — Screenplay by Alex Garland.
Alex Garland’s folk horror film MEN follows the widowed Harper Marlowe (played by Jessie Buckley), who, after having recently lost her husband to what may or may not have been a death by suicide, has decided to go on holiday in a small village in Britain because she needs to unwind and heal. However, she continues to be haunted by her trauma when she arrives in the village. Although she doesn’t point it out, each and every man she meets has the same face as Geoffrey (played by Rory Kinnear), the owner of the house she has rented, including a mysterious naked man who starts stalking her, as well as the local vicar who, after hearing about Harper’s trauma, suggests that she is to blame for what happened to her husband.
The following is a review of Midsommar — Directed by Ari Aster.
As a Scandinavian, any film that revolves around Scandinavia or a specific part of Scandinavian culture, naturally, intrigues me greatly. So Midsommar already had my curiosity, but Ari Aster’s involvement pulled me in and seized my attention, as it were. Ari Aster is one of the most interesting new filmmakers. He is a gifted director whose first narrative feature — Hereditary — was one of the best and most disturbing horror films of the decade. With one of the decade’s best films in the genre under his belt already, his second feature film had a lot to live up to, and even though Midsommar isn’t quite as accessible as his directorial debut, Aster’s slow-burn second feature film showcases his distinct visual style, has thematical depth, and it proves that he is one of the most exciting new auteurs. Continue reading “REVIEW: Midsommar (2019)”→