Directed by Fede Alvarez — Screenplay by Fede Alvarez and Rodo Sayagues.

The Alien franchise can mean a lot of different things depending on the person you ask. For some, Alien, due to the original Ridley Scott 1979 classic, is Jaws (or a haunted house horror movie) set in space. Others think more fondly of James Cameron’s arguably equally iconic sequel, Aliens, which injected Scott’s blue-collar space-set horror flick with action adrenalin and a militaristic focus, while still keeping its key distrust of corporations at the heart of the film. I wonder if the subsequent divisive-to-middling sequels and spin-offs only further complicated the core audience’s understanding of what an Alien film is supposed to be. When Ridley Scott returned to shepherd the franchise and meld it with some of the ideas of his Blade Runner film in both Prometheus and Alien: Covenant, they, too, divided opinion. While some embraced Prometheus‘ ambitious ideas and a key performance, others rejected them wholesale, perhaps because it wasn’t enough of an Alien film or for its specific answers (or lack thereof) as a prequel film, though I acknowledge that some may feel that to be an oversimplification of people’s problems with it. In any case, Scott responded with Alien: Covenant, which continued the overarching narrative started in Prometheus, but also, at the same time, sometimes felt like an effort to compromise and satisfy those that felt Prometheus was too different. The naysayers weren’t won over by Alien: Covenant, which, I contend, is actually an extremely underappreciated film, and the film was a box office disappointment. Seven years later, we now have the first Alien film since Disney acquired 20th Century Fox titled Alien: Romulus, which is a solid and suspenseful horror throwback. However, truth be told, it is also maybe a little bit too safe of a film given the big choices and risks that directors like Ridley Scott, James Cameron, and David Fincher have taken over the years.