Interview with the Vampire – The Vampire Lestat (2026) | TV REVIEW

Sam Reid as Lestat de Lioncourt in Anne Rice’s The Vampire Lestat: Episode 3 — PHOTO: Sophie Giraud/AMC.

The following is a review of the third season of Interview with the Vampire — Series created by Rolin Jones.

Given my nostalgia for the 1994 Neil Jordan adaptation of Anne Rice’s Interview with the Vampire and, in general, my fascination with narratives about vampires (I have opinions on everything from CW’s The Vampire Diaries to Jim Jarmusch’s Only Lovers Left Alive, and beyond), it probably won’t surprise anyone that I fell head over heels in love with the Rolin Jones and AMC adaptation of Anne Rice’s Vampire Chronicles once I finally got to see it. The first two seasons of the show are impressively sumptuous but also written and acted in ways that change your relationship with the iconic characters at its center. It is an all-around rich-feeling show that I cannot recommend enough to fans of the various subgenres it contains. At the center of the entire series, we have performances from Jacob Anderson and Sam Reid that are genuinely among the best acting on television I’ve seen in quite some time. Given the fact that I am particularly spellbound by Aussie actor Sam Reid’s devilishly complex portrayal of Lestat de Lioncourt, a larger-than-life French vampire that is older than the United States of America, I was so excited to find out what exactly a season all about him would be like, and that is exactly what the third season — titled The Vampire Lestat — was.

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REVIEW: Uncut Gems (2019)

Theatrical Release Poster – A24

The following is a review of Uncut Gems — Directed by Josh & Benny Safdie.

“Keep an eye on the Safdie Brothers.” — I ended my short review of 2017’s Good Time thusly. When I watched that film I don’t think I knew of the Safdies Brothers’ early career as young but already somewhat prolific independent filmmakers. To me, they were (and, in a way, still are) exciting newcomers to the world stage of cinema. Good Time was a brilliant but anxiety-inducing nightmare that gave us Robert Pattinson’s finest performance, thus far. That film showcased the Safdies’ talents as directors both with the exquisite mastering of tension and anxiousness, as well as the ability to pull out awards-worthy performances from actors who have a tendency to be pigeonholed. With Uncut Gems, the filmmaking duo has done it again. Adam Sandler delivers his finest performance since 2017’s The Meyerowitz Stories in the Safdies’ Good Time-follow-up, which is even more nailbiting and even more impressive. Continue reading “REVIEW: Uncut Gems (2019)”