The Monkey (2025) | REVIEW

The titular toy monkey in Osgood Perkins’ THE MONKEY — PHOTO: NEON / Black Bear.

Directed by Osgood Perkins — Screenplay by Osgood Perkins.

Filmmaker Osgood Perkins is fast becoming one of the most interesting horror filmmakers on the rise. Following three relatively unknown features, including the quite good The Blackcoat’s Daughter, Perkins finally had his breakthrough as a filmmaker in 2024 with the excellent horror-thriller flick Longlegs. Now in 2025, he’s hoping to fully etch his name into stone, as a prominent horror filmmaker with Keeper, releasing later this year, and The Monkey, an adaptation of a Stephen King short story, which was released in theaters at the end of February. Here Perkins is trying to prove himself in another horror subgenre, namely that of the horror-comedy, but, while there is a lot to like here, it isn’t quite as effective as his 2024 hit.

Continue reading “The Monkey (2025) | REVIEW”

REVIEW: Grand Piano (2013)

Poster – Magnet Releasing

The following is a review of Grand Piano – Directed by Eugenio Mira

Grand Piano is a mixture of a simple classical concert and Joel Schumacher’s thriller Phone Booth. Tom Selznick (played by Elijah Wood), a well-known pianist who has developed stage fright, is playing a comeback concert in Chicago. During his opening performance, Selznick notices a note written with a red marker on his sheet music. Continue reading “REVIEW: Grand Piano (2013)”

REVIEW: I Don’t Feel at Home in This World Anymore (2017)

Release Poster - Netflix
Release Poster – Netflix

The following is a review of I Don’t Feel at Home in this World Anymore – Directed by Macon Blair

One of last year’s most genuine and shocking surprises were Jeremy Saulnier’s Green Room, a violent thriller set in a neo-nazi bar. Green Room was a great little film, which starred Macon Blair in a supporting role, and it made me look back at what Saulnier had made before.

I soon came across Saulnier’s 2013 thriller Blue Ruin, which also starred Macon Blair (this time in a leading role). Both Green Room and Blue Ruin are great, violent thriller films, and I particularly enjoyed Blue Ruin. Therefore my interest was instantly piqued when Macon Blair’s directorial debut – I Don’t Feel at Home in This World Anymore – went on to win the Sundance Festival’s Grand Jury Prize for the U. S. Dramatic competition. Continue reading “REVIEW: I Don’t Feel at Home in This World Anymore (2017)”