Star Wars: The Mandalorian and Grogu (2026) | REVIEW

Din Djarin, also known as ‘The Mandalorian,’ and Grogu get ready to take off in their spaceship in Jon Favreau’s The Mandalorian and Grogu — PHOTO: Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Jon Favreau — Screenplay by Jon Favreau, Dave Filoni, and Noah Kloor.

Now, don’t get me wrong. For someone who, after the release of George Lucas’ prequel trilogy, once (and for a while there) was worried he would never get to see another movie set in that faraway galaxy, getting to see a new Star Wars movie in theaters is probably always going to feel like a treat. But I have to say that I don’t think I’ve ever been looking forward to a live-action Star Wars theatrical release less than here with The Mandalorian and Grogu. This is coming from someone who has seen every single episode of the Disney+ show it spun off from, who loved the first two seasons of the series, and who enjoys the titular duo a great deal. But despite that and the seven-year wait between this and the last theatrically released Star Wars film (J. J. Abrams’ critically panned The Rise of Skywalker), and even though last year’s second season of Andor was a miracle of intelligent and political storytelling that rivals the best films in the franchise, something about this next big release just feels off. Maybe it’s just because of the disappointing third season of the show, but it could also be the ill-judged marketing campaign (what with the faux-beer commercial as their Super Bowl ad). I have long sensed that the main problem is that the studio and the storytellers have, through three seasons, trained audiences to expect these stories on a streaming service, and even though this is an expensive Star Wars story that you’re putting the next ‘chapter’ of on the big screen, it doesn’t change the fact that people are going to view this as a TV-movie because of its origin on the streaming service. Nevertheless, I was hopeful that this would still be an enjoyable moviegoing experience. Having now seen it, I can say that, as a fan of this universe and these characters, I enjoyed seeing them on another adventure fine enough, but I was largely underwhelmed by what I was presented with, and I am really concerned about what this film may mean for the future of the franchise.

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REVIEW: The Mandalorian – Season Three (2023)

Lizzo and Jack Black in THE MANDALORIAN in THE MANDALORIAN, exclusively on Disney+. — PHOTO: Lucasfilm / Disney+.

Series Created by Jon Favreau — All Episodes Available on Disney+ Now.

To a certain extent, The Mandalorian was once the kind of show that united the Star Wars fanbase after the divisive sequel trilogy. However, the show that spun off from the excellent second season of the show — The Book of Boba Fett — was not only uneven, it also undid the very end of The Mandalorian season two through these episodes that were always more episodes of The Mandalorian than The Book of Boba Fett, even though they were sandwiched into the latter show. Since then, live-action Star Wars on Disney+ has featured the very satisfying but safe nostalgic Obi-Wan Kenobi show, as well as the outstanding course-correcting dark and mature Star Wars series Andor. It was always going to be hard for this third season to live up to Andor, but what is really frustrating is that it doesn’t even live up to its own previous seasons. The third season of The Mandalorian is a little bit of a disappointment.

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REVIEW: The Book of Boba Fett (2021-2022)

Boba Fett (Played by Temura Morrison) in Lucasfilm’s THE BOOK OF BOBA FETT, exclusively on Disney+. — PHOTO: Lucasfilm / Disney+.

Series Created by Jon Favreau — All Episodes Are On Disney+ Right Now.

Jon Favreau’s The Book of Boba Fett is a spin-off of the extremely popular Disney+ Star Wars live-action series The Mandalorian. The Book of Boba Fett follows the titular character (played by Temura Morrison), who became a fan-favorite character in the Original Trilogy (and who made his in-universe return in The Mandalorian), as he tries to become the new daimyo of Tatooine for the purpose of controlling the territory that once belonged to Jabba the Hutt. But he isn’t the only one who wants to control what can and can’t happen on the desert planet.

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