Babylon (2022) | REVIEW

Margot Robbie plays Nellie LaRoy in Damien Chazelle’s ‘Babylon’ from Paramount Pictures.

Directed by Damien Chazelle — Screenplay by Damien Chazelle.

Damien Chazelle has fast become one of my favorite filmmakers of his generation. His Whiplash is one of the most exciting, propulsive dramas of its decade. La La Land is a beautiful modern Hollywood musical that is now unfairly remembered for an Oscars gaffe. His First Man is a quietly moving and technically impressive character study. To make three films that are that sublime in a row is no easy feat. Last year, for his follow-up to that incredible run, Chazelle had reteamed with extraordinarily talented frequent collaborators of his like cinematographer Linus Sandgren, editor Tom Cross, and composer Justin Hurwitz to once again, like with La La Land, tell a story about the entertainment industry. Only this time it would be with a star-studded and expensive three-hour period piece epic. Did Chazelle recapture lightning in a bottle for the fourth time in a row? Well, let’s have a look.

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Bird Box Barcelona (2023) | REVIEW

(L-R) Gonzalo De Castro, Georgina Campbell, Mario Casas and Naila Schuberth in BIRD BOX BARCELONA — PHOTO: Andrea Resmini / Netflix.

Directed by Álex and David Pastor — Screenplay by Álex and David Pastor.

In the late 2010s, sensory-based apocalyptic horror-thrillers were all the rage. John Krasinski’s A Quiet Place (2018) was a box office success, spawned a sequel, and was Oscar-nominated. Susanne Bier’s Bird Box (2018) was met with mixed reviews but was still a massive hit for Netflix yet it also inspired a hazardous and controversial social media blindfold challenge. Then there was something like John R. Leonetti’s The Silence (2019), which was another Netflix release, but Leonetti’s film was quite rough in most ways. Well, now Netflix has decided to cash in on the brand recognition of Bird Box by releasing its first sequel titled Bird Box Barcelona, a mostly Spanish-languaged spin-off that I don’t think has all that much new to say, unfortunately. 

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