The Conjuring: Last Rites (2025) | REVIEW

Mia Tomlinson and Patrick Wilson in THE CONJURING: LAST RITES — PHOTO: Warner Bros. Pictures / New Line Cinema (still image from trailers).

Directed by Michael Chaves — Screenplay by Ian Goldberg, Richard Naing, and David Leslie Johnson-McGoldrick.

We’ve come a long way since the first film about the demonologist duo and married couple Ed and Lorraine Warren, The Conjuring, from director James Wan. Depending on whether you count The Curse of La Llorona, there are now nine or ten films in the film series, with its reported conclusion, 2025’s The Conjuring: Last Rites, serving as the dot at the end of the sentence. Like with The Curse of La Llorona, The Conjuring: The Devil Made Me Do It, and The Nun 2, this latest film is directed by Michael Chaves, who, despite receiving mixed reviews for his films, has long been positioned as the heir apparent to James Wan (The Conjuring; Insidious; Saw). Chaves has failed in his attempts to reach the height of his mentor’s films, and, in the process of trying to continue Wan’s work in this connected universe of films, has turned in, at best, merely lukewarm films. Does the purported conclusion to the story of the Warrens improve things for Chaves? Well, his latest film still cannot hold a candle to Wan’s Conjuring films, but, to Chaves’ credit, I think this is his most entertaining film yet. 

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Aquaman and the Lost Kingdom (2023) | REVIEW

Jason Momoa as Arthur Curry in James Wan’s AQUAMAN AND THE LOST KINGDOM — PHOTO: WARNER BROS. PICTURES (Still image from trailers).

Directed by James Wan — Screenplay by David Leslie Johnson-McGoldrick.

Once upon a time, the kickstarting of the DC Extended Universe (DCEU) felt like such a big deal. Warner Bros. was going to do what Marvel did and actually have a connected cinematic superhero universe and it was going to be this prestige project with the first film, titled Man of Steel, echoing a kind of director-led importance that was supposed to follow in the footsteps of Christopher Nolan’s critically acclaimed Dark Knight trilogy. I think, however, that it is fair to say that it never got off on the right foot. Their Superman-universe opener was met with a mixed critical reception and fans criticized certain choices that they felt were against the core tenets of the beloved iconic character. In the next years, the DCEU was never fully embraced despite certain successes along the way (e.g. Patty Jenkins’ Wonder Woman) in large part due to several films that missed the mark in one way or another (e.g. David Ayer’s Suicide Squad). Online toxicity, director idolization, and mild-at-best reception followed, and now the universe is being fully rebooted by James Gunn. Before that could happen though, they had to release a couple of ‘lame duck’ films that they already had in the can but which everyone knew mattered not. Aquaman and the Lost Kingdom is the last one of those, and, unfortunately, the DCEU went out with a whimper. 

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REVIEW: The Conjuring: The Devil Made Me Do It (2021)

Patrick Wilson as Ed Warren in Michael Chaves’ THE CONJURING: THE DEVIL MADE ME DO IT — Photo: Warner Bros. Pictures.

Directed by Michael Chaves (The Curse of La Llorona) — Screenplay by David Leslie Johnson-McGoldrick.

Cinematic universes and film series with numerous spin-offs — in the vein of the Marvel Cinematic Universe — are all the rage these days. The primary example of this in the horror genre is the Conjuring film-universe, which, at this point in time, consists of eight films. This horror film cinematic universe was essentially launched by James Wan, who is probably one of the most influential horror filmmakers of the last ten years, and his films in the series — The Conjuring I and II — are, frankly, the best and most memorable films in the entire film series. For that reason, I was very nervous when I heard that he would step away from the franchise and let Michael Chaves, who directed The Curse of La Llorona (which I really did not like), continue, or potentially finish, the titular series of films in the Conjuring film-universe. After having now seen the third main-line Conjuring-film, I can say that even though it is nowhere near as good as Wan’s films, Chaves’ second film in this film universe is admittedly significantly better than his previous film.

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