Christopher Nolan’s Coronation Had Kenergy | 96th Oscars Recap and Review

(L-R) Emma Stone, Christopher Nolan, and Ryan Gosling at the 96th Academy Awards — IMAGE STILLS: A.M.P.A.S. 2024.

Last night, Jimmy Kimmel hosted the 96th edition of the Academy Awards on a night where awards prognosticators felt most of the big awards were already spoken for beforehand. However, conventional prognosticating wisdom did not always win out, as the presenters read out the winners of the Academy’s 23 categories. The early frontrunner and expected Best Picture winner Oppenheimer did, indeed, become the biggest winner of the night with seven total Oscars including wins that saw shatteringly good work from Robert Downey, Jr. and Cillian Murphy earn them their first ‘Little Golden Men.’ Hollywood’s safest bet and — as I liked to call him last night on social media — the ‘Crown Prince of Cinema,’ Christopher Nolan, had his grand coronation as Steven Spielberg passed the baton, awarded him with the Best Director award, and gave him a big hug. For many, that is what the night will be remembered for — i.e. the triumph of the immensely popular biopic and Christopher Nolan who, as some will undoubtedly perceive it, went toe-to-toe with Barbie and came out of the explosion that was ‘Barbenheimer’ with 7 golden statuettes in tow. Indeed, Christopher Nolan’s Oppenheimer is a hugely deserving winner of all of the awards that the cast and crew went home with (including Best Picture, which was announced in a relatively confusing way by film-legend Al Pacino), but that’s not all the 96th edition of the Academy Awards should be remembered for. 

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‘Guy Ritchie’s The Covenant (2023),’ ‘Red, White, and Royal Blue (2023),’ ‘Haunted Mansion (2023),’ ‘Clerks III (2022),’ and ‘Mainstream (2020)’ | Bite-Sized Reviews

(L-R) Haunted Mansion (Walt Disney Studios Motion Pictures); Guy Ritchie’s The Covenant (Metro-Goldwyn-Mayer); Clerks III (Lionsgate); Mainstream (IFC Films); and Red, White, and Royal Blue (Amazon Prime Video).

In this edition of Additional Bite-Sized Reviews, I take a look at a handful of films that I checked out over the last couple of months. These films were interesting enough for me to have formulated notes about them that never materialized into extensive singular reviews — instead, here they are in bite-sized form. Are any of these worth your time? Well, let’s have a look.

Continue reading “‘Guy Ritchie’s The Covenant (2023),’ ‘Red, White, and Royal Blue (2023),’ ‘Haunted Mansion (2023),’ ‘Clerks III (2022),’ and ‘Mainstream (2020)’ | Bite-Sized Reviews”