Frankenstein (2025) | REVIEW

Oscar Isaac as Victor Frankenstein in Guillermo Del Toro’s FRANKENSTEIN — PHOTO: NETFLIX (Still image from the trailers).

Directed by Guillermo Del Toro — Screenplay by Guillermo Del Toro.

There are literally hundreds of films either directly based on or partially inspired by Mary Shelley’s Frankenstein; or, The Modern Prometheus, so the story of Victor Frankenstein (and his creature, or monster, that is often wrongly referred to as just ‘Frankenstein’) is one that audiences of most ages know quite well either through having seen films based on the story or through references in pop culture that, with stories as familiar as this one, tend to fasten in your audiovisual language through a process of cultural osmosis. One auteur, however, hopes that his passion project can add something new to the storied legacy of the character, and now Netflix has given that opportunity to that auteur. I am, of course, referring to Guillermo Del Toro, the Oscar-winning filmmaker with a known love for classic monsters, creature effects, and both horror, fairy tale, and gothic storytelling. It should be a match made in heaven, and, frankly, I do think the wait for Del Toro’s take on Frankenstein, his 13th feature film as a director, was worth the wait. 

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Nightwatch (1997) | RETRO REVIEW

Ewan McGregor as ‘Martin’ in NIGHTWATCH — PHOTO: Dimension Films.

Directed by Ole Bornedal — Screenplay by Ole Bornedal and Steven Soderbergh.

A couple of months back, I decided to finally watch something that had been on my watchlist for such a long time, but which I was kind of dreading watching. I am referring to the English-language remake of Ole Bornedal’s Nattevagten, one of the most beloved and iconic Danish horror films. Although there are instances in which an English-language remake or reimagining of a Danish film can result in something akin to an improvement (see Michael Bay’s Ambulance), more often than not, though, English-language remakes of Danish films go one of two ways, either they result in A) a bland copy (though often with a more internationally recognizable cast) or b) an unnecessary remake that is so bad that it ruins the chances of the original reaching a larger audience by mere association. Make no mistake, Dimension Film’s English-language remake of Nattevagten, Nightwatch (also directed by Danish director Ole Bornedal), is not an improvement whatsoever. And, frankly, of the previous A and B options, Nightwatch is decidedly more in the A category. Nightwatch does have a more recognizable cast, but the American product is inferior, less interesting, and, yes, quite bland. This also means that it isn’t the Americanized abomination that I feared, but that, however, doesn’t mean that it is good.

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REVIEW: John Wick: Chapter 4 (2023)

Keanu Reeves as John Wick and Donnie Yen as Caine in John Wick 4. — PHOTO: Murray Close/Lionsgate.

Directed by Chad Stahelski — Screenplay by Shay Hatten and Michael Finch.

A lot has happened since Chad Stahelski and David Leitch took a Derek Kolstad script with Keanu Reeves attached and successfully revitalized the action genre with an emotional storyline and kick-ass, high-octane action and stunt work. Since then Stahelski’s sequels have consistently upped the ante and topped their own action sequences from chapter to chapter. New locations were revealed, and the world-building just kept on growing eventually introducing everything from a gun sommelier to an Elder who you can only hope to confront in the desert. The films have gone from its gun-fu action and then added in vehicular action and sword fights. With John Wick: Chapter 4, which is the first film in the series not to be written by Derek Kolstad, Chad Stahelski and Keanu Reeves have once again topped themselves with an incredibly accomplished action epic that is both inventive and almost like a greatest hits for the entire franchise. 

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REVIEW: Nightmare Alley (2021)

Guillermo Del Toro’s NIGHTMARE ALLEY – PHOTO: Kerry Hayes / 20th Century Studios.

Directed by Guillermo Del Toro – Screenplay by Guillermo Del Toro & Kim Morgan.

Based on the 1946 William Lindsay Gresham novel of the same name (which was first adapted by Edmund Goulding in 1947), Guillermo Del Toro’s Nightmare Alley follows a mysterious drifter named Stan Carlisle, who is hired by a carnival and soon becomes fascinated by the mentalist techniques that his co-workers have made a living off. When he leaves the carnival to thrive off the techniques that he has acquired, he became infatuated by the power of his act and the money that they lead him to. It won’t be long until he decides to fool the wrong person.

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