The following is a review of Bad Education — Directed by Cory Finley.
Bad Education is the second film from director Cory Finley (Thoroughbreds), and the HBO Films drama is based on a New York Magazine article written by Robert Kolker about a public school embezzlement scandal that happened back in the 2000s. The film follows Dr. Frank Tassone (played by Hugh Jackman), the superintendent of the Roslyn Union Free School district, and Pam Gluckin (played by Allison Janney), the assistant superintendent. Gluckin and Tassone have achieved great success as a team as is evident by the fact that their district’s public high school is ranked fourth in the nation at the beginning of the film. But, as one student is about to uncover, their successful partnership is built on illegal activities. Continue reading “REVIEW: Bad Education (2020)”→
It is finally time for me to announce my own personal film nominations for the I’m Jeffrey Rex Awards of 2018. Sure, we’re in 2019 now, but I needed some time to watch some of the films that were released in January in Denmark.
There will be a couple of surprises here, and I’m not just talking about the nominees. Four awards that have not previously been announced will make their debut here with their own sets of nominations. Also, one award has had its titled changed to allow for more than a small handful of nominees. Well, let’s get to it. Continue reading “IJR Awards 2018: Film Nominations Announced”→
The following is a review of Thoroughbreds — Directed by Cory Finley.
Remember My Chemical Romance? It was a rock band that my sister loved back in the day. I really liked their album The Black Parade, and every now and then some of the band’s songs come to mind. When I was watching writer-director Cory Finley’s directorial debut Thoroughbreds, I started to think about their song “Teenagers” — more specifically about the line “All teenagers scare the living shit out of me. They could care less as long as someone will bleed.” The late-great acting talent Anton Yelchin, in what seems to be his final role on film, has a similar line in the film, but he manages to express himself in much fewer words: “fucking evil children.” Continue reading “REVIEW: Thoroughbreds (2018)”→