Bugonia (2025) | REVIEW

Emma Stone in Yorgos Lanthimos’ BUGONIA — PHOTO: Focus Features (Still image from trailers).

Directed by Yorgos Lanthimos (Poor Things; Kinds of Kindness) — Screenplay by Will Tracy (The Menu).

Bugonia marks the 4th collaboration between multiple Oscar-winning actress Emma Stone and the most famous filmmaker of the so-called ‘Greek Weird Wave’ (and in a row, no less). Their latest film together is an English-language remake of Jang Joon-hwan’s black comedy titled Save the Green Planet!, a South Korean film released in 2003. Though initially conceived as an opportunity for Jang, the original filmmaker, to direct the English-language remake of his own film for an international audience (not unlike what Ole Bornedal did with his English-language Nightwatch remake in the 1990s), it is now, instead, a fascinating instance in which a European auteur is adapting an Asian original story though in a North American setting. In a way, that almost intercontinental approach is fitting for a film about people who may or may not come from different worlds in more ways than one. It’s also, frankly, a really effective film.

Continue reading “Bugonia (2025) | REVIEW”

REVIEW: Under the Silver Lake (2019)

Theatrical Release Poster – A24

The following is a review of Under the Silver Lake — Directed by David Robert Mitchell.

In 2014, David Robert Mitchell’s It Follows was released to critical acclaim. It was one of the first horror films that I ever reviewed and I remember the film mostly for its riveting score and the unique premise of the film which was really more of a parable. In 2016, Mitchell shot his follow-up to the aforementioned horror film. His film, Under the Silver Lake, was eventually acquired by A24, and it competed for the Palme d’Or at the Cannes Film Festival in 2018.

I remember watching the trailer and being intrigued by the cast and the mystery. It was meant to be released that summer, but then A24 pulled it from its release schedule. In 2019, Mitchell’s film was released without much fanfare. Supposedly, this was one of those polarizing films that you either hate or love. Recently, I found myself watching Mark Kermode’s review of Under the Silver Lake during which time I was struck by the severity of his reprimand as he proclaimed: “It’s so tooth-grindingly boring.” I’m a big fan of Mark Kermode, but, I have to say, I really dug Mitchell’s film. Continue reading “REVIEW: Under the Silver Lake (2019)”