Directed by Ilya Naishuller (Hardcore Henry) — Screenplay by Derek Kolstad (John Wick).
At this point, it feels like we’re being inundated with action-thriller films that are trying to ape what made John Wick a huge success and a competent film franchise on its own. While I think these kinds of films can be quite good and entertaining, I also think films like Gunpowder Milkshake or Atomic Blonde have largely missed the mark, so I have become more trepidatious with this action subgenre than I was initially. This is exactly why it was so refreshing to me that I greatly enjoyed Ilya Naishuller’s Nobody, which is yet another action-thriller in the vein of John Wick (also co-written by Derek Kolstad).
Directed by Patty Jenkins — Screenplay by Patty Jenkins, Geoff Johns, and Dave Callaham.
The highly anticipated sequel to Patty Jenkins’ 2017 film, Wonder Woman, has finally arrived in Denmark. The film was released in theaters around the world (and simultaneously on HBO Max exclusively in the United States) in December of 2020, but, a week, or so, prior to the theatrical release in Denmark, all Danish theaters were ordered to close due to the second wave of the Coronavirus global pandemic. At the time of writing, theaters are still closed. This also means that Wonder Woman 1984 eventually skipped Danish theaters entirely.
In the mean time, frustratingly, the film was not made available for premium-video-on-demand in Denmark, and it took the distributor this long to release the film on HBO Nordic. That’s right, almost exactly three months after it was released on a streaming service in the United States. But now, thankfully, that wait is over. I’ve finally had the chance to watch the sequel to the hit 2017 superhero film led by Gal Gadot. Unfortunately, while I appreciated the original film, this sequel just feels misguided.
The following is a review of Wonder Woman – Directed by Patty Jenkins.
Although there are a lot of female heroes to read about in comic books, few of them have been given a chance on the big screen. In fairness, Hollywood has tried to make female superhero films work before, but when those attempts didn’t work out well, they weren’t really interested in pursuing other similar projects.
Jeannot Szwarc’s Supergirl was critically panned, as was both Pitof’s Catwoman and Rob Bowman’s Elektra. Now, in 2017, we are finally getting a good film about a true feminist icon. Patty Jenkins’ Wonder Woman is here, and while it isn’t perfect, it is a strong origin story for an important comic book character. Continue reading “REVIEW: Wonder Woman (2017)”→