No Other Choice (2025) | REVIEW

Lee Byung-hun, as Man-su, considering dropping a potted plant of red peppers onto a competitor on the job market in NO OTHER CHOICE — PHOTO: NEON / CJ Entertainment (Still image from trailers).

Directed by Park Chan-wook — Screenplay by Park Chan-wook, Lee Kyoung-mi, Don McKellar, and Lee Ja-hye.

Whenever a new film from South Korean master filmmaker Park Chan-wook comes out, it flies right to the top of my watchlist. Every film of his that I have seen thus far, like his iconic, violent, and shocking Vengeance Trilogy or his phenomenal erotic historical thriller The Handmaiden, has wowed me. Just a few years ago, he released yet another masterpiece with the incredibly rewatchable crime-romance thriller Decision to Leave, whose style showcased Park at his very best and cemented him as one of the world’s best visual storytellers. His latest film, No Other Choice, an adaptation of Donald Westlake’s novel The Ax (which was previously adapted in the mid-2000s by Costa-Gavras, to whom Park’s film is dedicated), is yet another fantastic example of Park’s strengths.

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REVIEW: Windfall (2022)

Jason Segel and Jesse Plemons in Charlie McDowell’s WINDFALL – Photo: Netflix.

Directed by Charlie McDowell – Screenplay by Justin Lader and Andrew Kevin Walker.

Charlie McDowell’s Windfall takes place in a single location and mostly features three unnamed characters; a wealthy CEO (played by Jesse Plemons), his wife (played by Lily Collins), and the ‘nobody’ who is trying to rob their vacation home. The robber (played by Jason Segel) had planned to steal from the property while its owners were out of town, but, when they suddenly return home while he’s in their home, the robber has to improvise on how to get out of this situation unscathed. And the wealthy CEO? Well, he just wants to get him out of the house as fast as possible, even if it means having to lose some money in the process.

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