Horror remakes, reimaginings, or sequels decades after a popular antagonist’s inception are inevitable. This movie studio trend was especially prevalent in the 2010s, when it was emphasized just how profitable decent-to-good horror films can be. One of the more stylized attempts was Luca Guadagnino’s Suspiria remake, while one of the more disappointing attempts was Kölsch & Widmyer’s Pet Sematary remake. Horror remakes are a dime a dozen these days, but the current horror movie trend is the legacyquel — a portmanteau of legacy and sequel — which is a continuation of a previous film but one that takes place a long time after the events of the original film and often with entirely new characters. Another trend is that of ignoring some films in the franchise, for the purpose of taking the franchise in another direction. Such is the case with a legacyquel like David Gordon Green’s Halloween. Another legacyquel that ignores certain chapters in its own cinematic mythology, Nia DaCosta’s Candyman, which really ought to have a different title for simplicity’s sake, follows many horror movie trends, but perhaps most notably those kickstarted by her producer and co-writer Jordan Peele.Continue reading “REVIEW: Candyman (2021)”
Directed by George C. Wolfe — Screenplay by Ruben Santiago-Hudson.
Based on the August Wilson play of the same name, George C. Wolfe’s Ma Rainey’s Black Bottom primarily takes place in a recording studio in Chicago back in the 1920s. Here Ma Rainey (played by Viola Davis), lovingly dubbed the ‘Mother of the Blues,’ is planning to record several songs with her band. Rainey arrives fashionably late and is ready and able to throw her weight around, whereas the ambitious, animated, and flirty Levee (played by Chadwick Boseman), a young and talented trumpeter, is preparing his next move towards stardom while practicing with the rest of the band. While Rainey battles with both her manager and a producer for the purpose of having some control of her own career, Levee’s ambitious attitude doesn’t sit right with Ma or his bandmates (played by Glynn Turman, Colman Domingo, and Michael Potts). Continue reading “REVIEW: Ma Rainey’s Black Bottom (2020)”