The following is a review of Martin Scorsese’s 1985 classic After Hours — Written by Joseph Minion.
Although his 1980 feature film Raging Bull earned Martin Scorsese rave reviews and industry awards recognition, its success did not ensure that Martin Scorsese’s 1980s would be a nice and smooth ride with nothing but successes. Even though he had already made films that we still talk about today, Scorsese was not the box office draw that modern cineastes might have imagined. His follow-up to Raging Bull, his 1982 near-masterpiece The King of Comedy struggled at the box office. Then Paramount Pictures got cold feet due to a sizable budget as well as religious protests, and, as a result, they, eventually, canceled the production of Scorsese’s The Last Temptation of Christ, which was finally made and released with the help of Universal Studios in 1988. So one might understand if, in the mid-to-early 1980s, Martin Scorsese needed to make something wildly different. It was at this point when, before he finally got to make his aforementioned controversial religious passion project, Martin Scorsese made his frantic black comedy After Hours. Continue reading “REVIEW: After Hours (1985)”→
The following is a review of Alien – Directed by Ridley Scott. For more Alien reviews, check out this category.
Who could’ve known back before Alien was released in 1979 that director Ridley Scott – a relative late bloomer when it comes to filmmaking, who had only previously directed one film – would create one of the most iconic science-fiction horror films of all-time.
‘Jaws in space,’ or ‘The Texas Chainsaw Massacre of science-fiction’ as it has apparently sometimes been called by both director Ridley Scott and writers Ronald Shusett and Dan O’Bannon may not have seen the light of day where it not for the science-fiction boom caused by George Lucas and his first Star Wars film, but with Alien Ridley Scott managed to carve out his own distinctive corner of science-fiction filmmaking. Continue reading “CLASSIC REVIEW: Alien (1979)”→
The following is a classic movie review of Raging Bull – Directed by Martin Scorsese
Martin Scorsese is one of the greatest filmmakers – and my personal favorite – of all-time. But while I’ve loved his work for years, I still have a lot of his past films to watch for the first time. One movie that I, somehow, managed to always avoid was the classic biographical boxing tragedy Raging Bull. It’s been at the top of my Martin Scorsese watchlist for quite a while, and I’m happy to say that I understand the love Raging Bull has been getting. Raging Bull is, indeed, a masterpiece. Continue reading “CLASSIC REVIEW: Raging Bull (1980)”→
The following is a review of the classic science-fiction action film ‘Aliens’. This review was written in July 2016 in honor of the film’s 30th Anniversary.
After the success of 1984’s The Terminator, 20th Century Fox gave James Cameron the go-ahead to direct a sequel to the amazing science-fiction horror film, Alien. No one could’ve predicted the success Cameron’s sequel would get. Even though Alien is, itself, somewhat of a horror classic, Cameron somehow managed to make a sequel that was remarkably different from the original film, but still ended up being a classic, being iconic, and being, easily, one of the best sequels of all-time. Continue reading “CLASSIC REVIEW: Aliens (1986)”→
The following is a classic review of Ghostbusters (1984).
Ghostbusters takes place in New York City and follows a team of scientists that focus on the supernatural, who, after getting their team name out to the public, are contacted by a woman named Dana Barrett (played by Sigourney Weaver). Barrett reports of a monster or spirit in her refrigerator by the name of Zuul. One of the scientists, Dr. Peter Venkman (played by Bill Murray), takes lead on the investigation, but he is more interested in Dana than the case. Continue reading “CLASSIC REVIEW: Ghostbusters (1984)”→
The following is a classic review of Schindler’s List, a Steven Spielberg film. There are spoilers in this review.
Schindler’s List tells the story of how Oskar Schindler (played by Liam Neeson), a German businessman, saved more than a thousand of Jewish refugees during the Holocaust. This review will be a little bit different. I’ll review this film, by explaining why I didn’t see it until 2016. There are spoilers in this review, so I will not hold anything back.
One of the things I always wondered about, was why my father would never watch Schindler’s List with me. He has always been intrigued by films set during World War II, but for some unknown reason he would never watch it with me. He has always told me that he had seen it, but he has no interest in ever seeing it again. Continue reading “CLASSIC REVIEW: Schindler’s List (1993)”→
The following is a classic review of Quiz Show (1994), a Robert Redford film.
Delbert Mann’s Marty – the Academy Awards Best Picture winner for 1955 – the answer that Herb Stempel wasn’t allowed to give on the quiz show ‘Twenty One’. That is what sets this adaptation of Richard Goodwin’s Remembering America: A Voice From the Sixties in motion. It took me a long time to finally sit down and watch Robert Redford’s Quiz Show, don’t make that same mistake. Quiz Show is a must-watch film, one of the best of the 90s, and arguably Redford’s best film as a director. Continue reading “CLASSIC REVIEW: Quiz Show (1994)”→
The following is a classic review of Star Wars: Episode VI – Return of the Jedi, a Richard Marquand film. Expect spoilers.
1983 – Return of the Jedi – the end of the original trilogy. While Empire Strikes Back is definitely the best film, Return of the Jedi was my favorite film when I was younger. And there is a simple reason why this film, though not the best of the three, is remembered so fondly by so many people. Return of the Jedi is the most satisfying Star Wars film. Continue reading “CLASSIC REVIEW: Star Wars: Episode VI – Return of the Jedi (1983)”→
You’ve heard of Star Wars, right? Good. Now, while Star Wars today is this gigantic franchise with its own convention, a library-size canon, and a toy line-up unlike any other, it all started with George Lucas writing and pitching Star Wars to United Artist and Universal Pictures with them both declining to produce, distribute, and make the film with Lucas.