The following is a review of The Last Full Measure — Directed by Todd Robinson.
Todd Robinson’s The Last Full Measure is a war drama that tells the true story of William H. Pitsenbarger (played by Jeremy Irvine), a Vietnam War-hero, who died defending a unit of soldiers during a tough battle in 1966. The film, however, primarily follows Scott Huffman (played by Sebastian Stan), a relatively young Pentagon bureaucrat, thirty-two years later. After having met with Pitsenbarger’s parents and the soldiers that he saved, Huffman risked his career to tell Pitsenbarger’s story in an effort to have him awarded the Medal of Honor posthumously. Continue reading “REVIEW: The Last Full Measure (2020)”→
The following is a review of Knives Out — a Rian Johnson whodunnit.
Are Agatha Christie-inspired murder mystery films making a quiet comeback right under our noses? In 2017, Kenneth Branagh resurrected the genre on the big screen with his adaptation of Murder On the Orient Express, which is getting a sequel in 2020. Earlier in 2019, Kyle Newacheck released an Adam Sandler-led murder mystery film titled Murder Mystery, which I suggested might be “the most watchable of Sandler’s made-for-Netflix comedies.” Now we have Rian Johnson’s Knives Out, which isn’t just the best of the bunch, it’s also genuinely one of the most entertaining films of the year. Knives Out is a fresh and modern labyrinthine murder mystery complete with a stylish main location, as well as witty and timely social and political satire. Continue reading “REVIEW: Knives Out (2019)”→
The following is a review of All the Money in the World – Directed by Ridley Scott.
All the Money in the World is, easily, one of the most talked about films these last couple of months. It isn’t because it is one of the big favorites for the Academy Awards (it isn’t), and it isn’t because it was one of the most anticipated films of 2017 (it wasn’t). No, actually, the reason why people couldn’t stop talking about this film is for the simple fact that controversy is all over this film like moths around a flame. Continue reading “REVIEW: All the Money in the World (2017)”→