Joker: Folie à Deux (2024) | REVIEW

Lady Gaga and Joaquin Phoenix in Joker: Folie à Deux — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Todd Phillips — Screenplay by Scott Silver & Todd Phillips.

Only a select few films in recent years have had as much controversy surrounding their release, and yet still been celebrated by the industry, as Todd Phillips’ Joker, which was a massive box office success and earned its star, Joaquin Phoenix, an Oscar for his fully committed performance as the iconic DC Comics clown. When, however, Todd Phillips’ Joker: Folie à Deux, the long-awaited sequel, was released last week, it was without that same controversy, without that same concern, and without that same celebration in the industry, with critics, or audiences. Box office-wise, it landed with a thud, and fans of the original film have almost uniformly rejected the sequel. So, what gives? Well, let’s just say, it sometimes feels like Todd Phillips’ sequel is bending over backwards to distance itself from the people who championed the first film. Despite including some DC Comics references, it almost couldn’t be farther from fan service. It makes for a strange endeavor, but a very interesting film.

Continue reading “Joker: Folie à Deux (2024) | REVIEW”

REVIEW: Sicario: Day of the Soldado (2018)

Theatrical Release Poster – Columbia Pictures / Lionsgate

The following is a review of Sicario: Day of the Soldado — Directed by Stefano Sollima.

Some movies don’t need sequels. Sure, I know what you are going to say. No films truly need sequels, which is true. But when almost the entire creative team behind a successful standalone film is switched out and replaced when the sequel is to be made, alarm bells ring. I become worried that a new creative team might ruin what made the first film so great. Continue reading “REVIEW: Sicario: Day of the Soldado (2018)”

REVIEW: Get Out (2017)

UK Release Poster – Universal Pictures

The following is a review of Get Out – The directorial debut for Jordan Peele

Jordan Peele’s Get Out is basically a horror movie version of Stanley Kramer’s Guess Who’s Coming to Dinner?. Peele’s debut tells the story of an African-American man, Chris (played by Daniel Kaluuya), who is spending the weekend with – and meeting – his white girlfriend’s parents for the first time. Continue reading “REVIEW: Get Out (2017)”