REVIEW: Coffee & Kareem (2020)

Release Poster – Netflix

The following is a short review of Coffee & Kareem — Directed by Michael Dowse.

Michael Dowse’s Coffee & Kareem is an action-comedy buddy film about police officer James Coffee (played by Ed Helms) and his attempt to connect with and establish a rapport with his girlfriend’s son, Kareem (played by Terrence Little Gardenhigh), who both doesn’t trust law enforcement and is protective of his mother (played by Taraji P. Henson). While driving Kareem home from school, both Kareem and officer Coffee become involved in dangerous criminal activity and encounter dirty cops. Continue reading “REVIEW: Coffee & Kareem (2020)”

REVIEW: Spenser Confidential (2020)

Release Poster – Netflix

The following is a review of Spenser Confidential — Directed by Peter Berg.

Though I have yet to see Mile 22, I have liked every other Peter Berg-Mark Wahlberg collaboration — Lone Survivor; Deepwater Horizon; and Patriots Day — that came out prior to Spenser Confidential. So when I found out that Berg and Wahlberg were reteaming for a new Netflix film, I was very interested and, frankly, a little bit excited. I was hoping that Netflix had finally made a good, solid, and rewatchable action flick. However, Spenser Confidential is a terrible disappointment. Berg and Wahlberg’s partnership has not provided us with anything good this time around. It’s almost at the point where the only thing I liked about this movie were the dogs in it. Continue reading “REVIEW: Spenser Confidential (2020)”

REVIEW: The Highwaymen (2019)

Release Poster – Netflix

The following is a review of The Highwaymen — Directed by John Lee Hancock.

Set in 1934, The Highwaymen, from director John Lee Hancock (The Blind Side; Saving Mr. Banks), tells the story of two former Texas Rangers, Frank Hamer (played by Kevin Costner) and Maney Gault (played by Woody Harrelson) who were hired by Texas governor ‘Ma’ Ferguson (played by Kathy Bates) to stop the notorious criminals Bonnie Parker and Clyde Barrow by any means necessary. Continue reading “REVIEW: The Highwaymen (2019)”