Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures”→
The following is a review of Rocketman — Directed by Dexter Fletcher.
From the director of Eddie the Eagle, Dexter Fletcher, who honed his musical skills and ironed out his music biopic missteps early as he completed Bryan Singer’s Bohemian Rhapsody last year after Singer was fired, comes the Elton John fantasy musical biopic Rocketman that tells the story of how Reginald Dwight (played by Taron Egerton) met lyricist and friend Bernie Taupin (played by Jamie Bell), rebelled against his posh but harsh upbringing, and became the flamboyant superstar now known as Elton John who partied like the best until it almost pushed him over the edge. Continue reading “REVIEW: Rocketman (2019)”→
The following is a review of Vice — Directed by Adam McKay.
In recent years, comedy filmmaker Adam McKay has successfully changed his reputation in Hollywood. He was once thought of as one of the great funny-man directors of the industry, with such films as Anchorman and The Other Guys. But with 2015’s The Big Short — a film about the financial crisis of 2008 — McKay became known for his unconventional techniques in covering a disastrous true story. It didn’t work for everyone, but, for the most part, I really enjoyed his first foray into this style of political filmmaking. Continue reading “REVIEW: Vice (2018)”→
The following is a review of First Man — Directed by Damien Chazelle.
Do kids still dream of becoming astronauts? — That is one of the many things I thought of after I saw First Man — the latest film from Damien Chazelle (Guy and Madeline on a Park Bench; Whiplash; La La Land). When I was a kid I remember I sometimes would play and try to jump in slow motion, because I imagined that would be what it would be like to jump on the moon. Continue reading “REVIEW: First Man (2018)”→
The following is a review of A Futile and Stupid Gesture — Directed by David Wain.
Here is a thing that I don’t think Americans have ever thought about. When I was younger and I watched National Lampoon’s Vacation or National Lampoon’s Christmas Vacation, and so on and so forth, I had no idea what the hell National Lampoon was. I vividly remember asking my parents several times what National Lampoon was, and they didn’t really have a firm grasp of it either. Honestly, I don’t think most Non-Americans really know about National Lampoon. So, really, A Futile and Stupid Gesture — a film about the rise and fall of the parody magazine — is probably a pretty good idea. Continue reading “REVIEW: A Futile and Stupid Gesture (2018)”→
The following is a review of Darkest Hour — Directed by Joe Wright.
Darkest Hour — not to be confused with The Darkest Hour, a 2011 alien invasion movie set in Russia — is the newest film from British director Joe Wright, who is behind such films as 2007’s beautiful, heart-wrenching, and soul-crushing Atonement. Continue reading “REVIEW: Darkest Hour (2017)”→
The following is a review of The Walk, a Robert Zemeckis film. The reviewed film was seen in IMAX 3D.
The Walk follows the street artist Philippe Petit (played by Joseph Gordon-Levitt), and shows us how he evolved into a legendary high-wire artist. Along the way, he meets a lover, friends, and partners – and together they all embark on a mission to illegally perform a high-wire between the two towers of the World Trade Center back in 1974. Petit becomes particularly obsessed with these towers, and this obsession threatens to end the group. Their great coup changes all partners, for better or worse, and this coming-of-age coup ends up revealing what Petit’s obsession truly means to him. Continue reading “REVIEW: The Walk (2015)”→