The following is a review of Judy — Directed by Rupert Goold.
Rupert Goold’s Judy is a biographical picture about the final year of Judy Garland’s life. The biopic is based on the Peter Quilter stage musical End of the Rainbow, and the film mostly takes place in 1969 when Judy Garland (played by Renée Zellweger) relocated to the United Kingdom for work and to be able to afford a potential custody battle in court. The multi-talented star is, at this point in her life, a wreck. The American industries that made her a star now see her as unreliable, she is unable to pay her bills, she doesn’t eat, she is severely depressed, and she suffers from issues related to substance abuse. Her job in London represents one last moment in the spotlight to dazzle, use her stardom, and make the money she needs to keep her family together. Though she often hesitates to go on stage, it is only on the stage that she can find energy and satisfaction in her last year. Continue reading “REVIEW: Judy (2019)”→
The following is a review of Dolemite Is My Name — Directed by Craig Brewer.
In 2006, Eddie Murphy, one of the greatest American comedians of all-time, was about to have his big moment in the spotlight as an actor. His performance in Dreamgirls given him industry recognition and critical praise. He had now finally won a Golden Globe and, realistically, he had set his sights on the golden statuette handed out by the Academy of Motion Picture Arts and Sciences. Eventually, though he was nominated, he lost the award to Alan Arkin. Back then, it was speculated that his appearance and performance in the critically panned Norbit was to blame for him having missed out on his Oscar. It’s ironic, really, that perhaps comedy had cost Eddie Murphy the most coveted award in cinema. With that having been said, comedy can take him back to Academy Awards. Because Dolemite Is My Name is a hoot and Eddie Murphy genuinely gives an awards-worthy performance in it. Continue reading “REVIEW: Dolemite Is My Name (2019)”→
Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures”→
The following is a review of Rocketman — Directed by Dexter Fletcher.
From the director of Eddie the Eagle, Dexter Fletcher, who honed his musical skills and ironed out his music biopic missteps early as he completed Bryan Singer’s Bohemian Rhapsody last year after Singer was fired, comes the Elton John fantasy musical biopic Rocketman that tells the story of how Reginald Dwight (played by Taron Egerton) met lyricist and friend Bernie Taupin (played by Jamie Bell), rebelled against his posh but harsh upbringing, and became the flamboyant superstar now known as Elton John who partied like the best until it almost pushed him over the edge. Continue reading “REVIEW: Rocketman (2019)”→
The following is a review of Vice — Directed by Adam McKay.
In recent years, comedy filmmaker Adam McKay has successfully changed his reputation in Hollywood. He was once thought of as one of the great funny-man directors of the industry, with such films as Anchorman and The Other Guys. But with 2015’s The Big Short — a film about the financial crisis of 2008 — McKay became known for his unconventional techniques in covering a disastrous true story. It didn’t work for everyone, but, for the most part, I really enjoyed his first foray into this style of political filmmaking. Continue reading “REVIEW: Vice (2018)”→
The following is a review of First Man — Directed by Damien Chazelle.
Do kids still dream of becoming astronauts? — That is one of the many things I thought of after I saw First Man — the latest film from Damien Chazelle (Guy and Madeline on a Park Bench; Whiplash; La La Land). When I was a kid I remember I sometimes would play and try to jump in slow motion, because I imagined that would be what it would be like to jump on the moon. Continue reading “REVIEW: First Man (2018)”→
The following is a review of A Futile and Stupid Gesture — Directed by David Wain.
Here is a thing that I don’t think Americans have ever thought about. When I was younger and I watched National Lampoon’s Vacation or National Lampoon’s Christmas Vacation, and so on and so forth, I had no idea what the hell National Lampoon was. I vividly remember asking my parents several times what National Lampoon was, and they didn’t really have a firm grasp of it either. Honestly, I don’t think most Non-Americans really know about National Lampoon. So, really, A Futile and Stupid Gesture — a film about the rise and fall of the parody magazine — is probably a pretty good idea. Continue reading “REVIEW: A Futile and Stupid Gesture (2018)”→