Oppenheimer (2023) | REVIEW

Cillian Murphy is outstanding as the titular theoretical physicist in Christopher Nolan’s OPPENHEIMER — PHOTO: Universal Pictures.

Directed by Christopher Nolan (Dunkirk; Tenet) — Screenplay by Christopher Nolan.

In 1965, famed physicist J. Robert Oppenheimer appeared on a television broadcast, and, on said broadcast, he gave an account of how people reacted and what went through his head during the so-called ‘Trinity Test’ in 1945, when Oppenheimer and a group of physicists had successfully created and detonated the first nuclear weapon. Oppenheimer claimed that a specific line from the Hindu scripture the Bhagavad Gita popped into his head: “Now I am become Death, the destroyer of worlds.” It is a chilling quote that has echoed through generations and had a life of its own. For the twelfth feature film in his oeuvre, the immensely popular auteur filmmaker Christopher Nolan opted to tell J. Robert Oppenheimer’s story. It’s a film about a man full of paradoxes, such as how he became a political figure with strong left-wing disarmament views but was also the man who is known for having willfully created a weapon that once dwarfed all others and forever changed warfare and foreign policy. But it is also a film that gets to the heart of the rot of the American soul in the 20th Century. It is an intimate account of the complicated headspace of a historically significant genius, but it is also a haunting and damning cautionary tale about learning the wrong lessons, naivete, guilt, covetousness, and ripple effects. It is an astoundingly brilliant achievement and much more than your average biopic.

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Top Ten Films of 2019

The 2010s have come to an end. Soon I will be posting several additional top ten lists on the best films of the previous decade. But, first, I have to close out last year in the right way with this top ten films of 2019-list. So, sit back, relax, and take a look at what films I think were the very best in a quite strong year for movies. Continue reading “Top Ten Films of 2019”

REVIEW: Uncut Gems (2019)

Theatrical Release Poster – A24

The following is a review of Uncut Gems — Directed by Josh & Benny Safdie.

“Keep an eye on the Safdie Brothers.” — I ended my short review of 2017’s Good Time thusly. When I watched that film I don’t think I knew of the Safdies Brothers’ early career as young but already somewhat prolific independent filmmakers. To me, they were (and, in a way, still are) exciting newcomers to the world stage of cinema. Good Time was a brilliant but anxiety-inducing nightmare that gave us Robert Pattinson’s finest performance, thus far. That film showcased the Safdies’ talents as directors both with the exquisite mastering of tension and anxiousness, as well as the ability to pull out awards-worthy performances from actors who have a tendency to be pigeonholed. With Uncut Gems, the filmmaking duo has done it again. Adam Sandler delivers his finest performance since 2017’s The Meyerowitz Stories in the Safdies’ Good Time-follow-up, which is even more nailbiting and even more impressive. Continue reading “REVIEW: Uncut Gems (2019)”

REVIEW: Good Time (2017)

Release Poster – A24

The following is a short review of Good Time – Directed by The Safdie Brothers.

Have you ever been awake for more than twenty-four hours and then felt like a whole week has passed? Well, what if one night was so anxiety-inducing that it felt like it lasted a lifetime? That is Good Time, a misguided young man’s journey through a hellish night in New York to save his developmentally challenged brother from a hellish existence behind bars. Continue reading “REVIEW: Good Time (2017)”