Alle For Fire (2022) | REVIEW

Anders W. Berthelsen and Mick Øgendahl in Rasmus Heide’s ALLE FOR FIRE — PHOTO: NORDISK FILM.

International title: All For Four — Directed by Rasmus Heide — Screenplay by Rasmus Heide and Mick Øgendahl.

In Denmark, comedies built around a group of relative stars or established comedians are extremely popular with audiences, and one of the recent successes of these has been the Alle For (meaning ‘All for’ with the first film being All For One, the second All For Two, and so on and so forth) film series. As these comedies are about small-time criminals and their attempts to make it big, there is an obvious comparison and that is Erik Balling’s Olsen Gang film series (original title: Olsen Banden), which is a beloved and iconic Danish crime comedy film series that spawned remakes in both Norway and Sweden, as well as several spin-offs. The Olsen Gang films are some of the most popular Danish films ever, and, even though the first film was released in the 1960s, most Danish millennials even know the franchise’s formula and their iconic lines by heart. The films are laugh-out-loud funny, well-made, and always supremely well-acted by the original cast. It is clear for all to see that the filmmakers behind the Alle For films desperately want them to be this generation’s Olsen Gang, but while the Alle For films are, admittedly, extremely popular with audiences, they are constantly negatively reviewed by critics, from film to film significant members of the original cast want less and less to do with it, and neither the comedy nor the heart ever comes close to touching what Erik Balling’s films were. Alle For Fire is the latest film in the series, but, unfortunately, it doesn’t come anywhere close to improving on what came before it in the series of films.

Continue reading “Alle For Fire (2022) | REVIEW”

Overview: May 2020

Overview is a new monthly article that provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews.

In May of 2020, I finally continued my ‘Best of the 2010s’ genre-specific lists, I watched a handful of new releases, and I wrote about the upcoming release of the so-called Snyder-Cut, which was finally announced. But that’s not all I did this month. Let’s take a look back at what I watched and what I wrote in May 2020.

But first, we need to talk about George Floyd. Continue reading “Overview: May 2020”

REVIEW: Ser du månen, Daniel? (2019)

Danish Theatrical Release Poster – Nordisk Film

The following is a review of ‘Ser Du Månen, Daniel?‘ (also known as ‘Daniel‘) — Directed by Niels Arden Oplev and Anders W. Berthelsen (co-director).

Although the Danish entry — May el-Toukhy’s outstanding film, Dronningen — was not, ultimately, nominated for the Academy Award for Best International Feature, 2019 was a pretty great year for Danish films. Outside of the aforementioned May el-Toukhy film, last year also saw the release of other great Danish films like Michael Noer’s period piece Før Frosten and Rasmus Kloster Bro’s claustrophobic directorial feature film debut Cutterhead. Mads Brügger also released his award-winning documentary Cold Case Hammarskjold. Continue reading “REVIEW: Ser du månen, Daniel? (2019)”