Marty Supreme (2025) | REVIEW

Timothée Chalamet as ‘Marty Mauser’ in Josh Safdie’s MARTY SUPREME — PHOTO: A24 (Still image from trailers).

Directed by Josh Safdie — Screenplay by Ronald Bronstein and Josh Safdie.

The intensity and anxiety that the Safdie brothers tapped into when creating their breakthrough features Good Time and Uncut Gems is not easily replicated. The Safdies burst onto the scene with a clear sense of style, storytelling, and ability to foster great leading performances. They not only furthered the reputations of Robert Pattinson and Adam Sandler with those two equally electric films, but they also managed to have the anxieties of their films’ protagonists leap off the screen and affect their viewers. So, when the brothers — Benny and Josh — split up to pursue filmmaking careers as solo-directors, one of the big questions that their ‘break-up’ left you with was whether or not they, on their own, could recapture the same lightning-in-a-bottle concoction that they had successfully conjured into existence together. Josh Safdie’s first solo effort since their recent split is Marty Supreme, a critically acclaimed genre-blended sports film that earned the cast and crew recognition from awards bodies far and wide. But is the film actually as good as its reputation and the intense marketing that its leading man helped promote? Well, before I get into it later in my review, I’ll say this: it certainly packs a spark of energy, which I found to be quite effective. It’s certainly a unique sports film.

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Oppenheimer (2023) | REVIEW

Cillian Murphy is outstanding as the titular theoretical physicist in Christopher Nolan’s OPPENHEIMER — PHOTO: Universal Pictures.

Directed by Christopher Nolan (Dunkirk; Tenet) — Screenplay by Christopher Nolan.

In 1965, famed physicist J. Robert Oppenheimer appeared on a television broadcast, and, on said broadcast, he gave an account of how people reacted and what went through his head during the so-called ‘Trinity Test’ in 1945, when Oppenheimer and a group of physicists had successfully created and detonated the first nuclear weapon. Oppenheimer claimed that a specific line from the Hindu scripture the Bhagavad Gita popped into his head: “Now I am become Death, the destroyer of worlds.” It is a chilling quote that has echoed through generations and had a life of its own. For the twelfth feature film in his oeuvre, the immensely popular auteur filmmaker Christopher Nolan opted to tell J. Robert Oppenheimer’s story. It’s a film about a man full of paradoxes, such as how he became a political figure with strong left-wing disarmament views but was also the man who is known for having willfully created a weapon that once dwarfed all others and forever changed warfare and foreign policy. But it is also a film that gets to the heart of the rot of the American soul in the 20th Century. It is an intimate account of the complicated headspace of a historically significant genius, but it is also a haunting and damning cautionary tale about learning the wrong lessons, naivete, guilt, covetousness, and ripple effects. It is an astoundingly brilliant achievement and much more than your average biopic.

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