Blink Twice (2024) | REVIEW

(L-R) Naomi Ackie and Channing Tatum in Zoë Kravitz’s BLINK TWICE — PHOTO: Amazon MGM Studios / Warners Bros. International (Still image from the trailers).

Directed by Zoë Kravitz — Screenplay by Zoë Kravitz and E.T. Feigenbaum.

When I saw the directorial feature debut from actress-turned-filmmaker Zoë Kravitz, Blink Twice, the other night, the very last thing on the movie theater screen prior to the film starting was a relatively long statement meant to function as a trigger warning for the audience to prepare them for the potentially distressing themes and violence discussed and depicted in the film. Before I had sat down to watch the film, I had noticed that said trigger warning had gone viral on social media for how rare it is for a new release to feature such a warning in addition to the MPA rating. It’s certainly a modern addition, which is befitting of this film, as it is a very modern #MeToo-psychological thriller that mixes elements from so many recent films, such as Olivia Wilde’s Don’t Worry Darling, Jordan Peele’s Get Out, and, perhaps even, Rian Johnson’s Glass Onion. Though I, ultimately, thought the film was a relatively good directorial debut, I only really feel that it is as good or better than the first of those three films, with it not really holding a candle to the remaining two. 

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REVIEW: Green Room (2016)

Theatrical Release Poster - A24
Theatrical Release Poster – A24

The following is a quick review of Jeremy Saulnier’s Green Room.

Jeremy Saulnier’s Green Room follows a punk band called ‘Ain’t Rights,’ which is nearing the end of their tour. In Oregon, they meet a local radio host who arranges a gig at a neo-Nazi bar. After the show, the band goes back to the green room, and they see a girl who has been stabbed to death. When the band’s bassist (played by Anton Yelchin) tries to call the police, the bouncers and the bar owners freak out and hold them at gunpoint inside the green room.
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REVIEW: Pee-wee’s Big Holiday (2016)

Release Poster – Netflix

The following is a review of Pee-wee’s Big Holiday (2016), a Netflix Original Film.

The character ‘Pee-wee Herman’ was a comedic hit primarily in the 1980s. By releasing a film starring Paul Reubens’ Pee-wee Herman, Netflix were hoping to cash in on the heavy pull of nostalgia. While I’m sure that worked for a lot of people, that would never work for me with this character. I had never seen anything with Pee-wee Herman. I didn’t grow up with the character. I might’ve seen what the character looks like before, but I didn’t know what I was getting into when I sat down to watch it… But I had a lot of fun with this film.  Continue reading “REVIEW: Pee-wee’s Big Holiday (2016)”