The following is a review of Doctor Sleep — Directed by Mike Flanagan.
How do you please the fans of two very different masters of storytelling (i.e. Stephen King and Stanley Kubrick) when the storytellers’ understanding of The Shining differs so much that the author, Stephen King, once disowned director Stanley Kubrick’s extremely popular adaptation? How do you continue the story of The Shining on the big screen, when King and Kubrick’s endings are in conflict with each other? Those questions made the adaptation of Stephen King’s Doctor Sleep, a sequel to his hit novel The Shining, an incredibly daunting task exactly because audiences would expect it to also be a sequel to Kubrick’s beloved masterpiece. Mike Flanagan, a promising horror filmmaker who adapted Stephen King’s Gerald’s Game into a terrific Netflix film, was eventually chosen for the difficult task. Ultimately, I think Flanagan, who both wrote, directed, and edited Doctor Sleep, did an outstanding job. Flanagan has confidently united two clashing visions in this quite satisfying, but undeniably unnecessary sequel. Continue reading “REVIEW: Doctor Sleep (2019)”→
The following is a review of In the Tall Grass — Directed by Vincenzo Natali.
Vincenzo Natali’s In the Tall Grass is a straight-to-Netflix horror film based on the Stephen King and Joe Hill novella of the same name, which was initially released in issues of Esquire magazine in 2012. Natali’s adaptation follows Cal (played by Avery Whitted) and his pregnant sister Becky (played by Laysla De Oliveira), who is considering giving up her baby for adoption. When they are driving in the middle of nowhere, Cal has to pull over because his sister is feeling sick. While having stopped by the side of the road, they both hear a boy (played by Will Buie, Jr.) screaming for help from inside a nearby field of very tall grass. They both decide to enter the field to get him out, but, once they have entered the claustrophobic green field of grass, they quickly realize that they are unable to escape it or even find each other. Continue reading “REVIEW: In the Tall Grass (2019)”→
The following is a review of Scary Stories to Tell in the Dark — Directed by André Øvredal.
Scary Stories to Tell in the Dark is an adaptation of a trilogy of children’s horror short story collections of the same name from author Alvin Schwartz. The film has been in development since 2013, and now Norwegian filmmaker André Øvredal has finally brought the children’s short stories to the big screen in the form of a horror film that’s frankly really enjoyable if you know what you’re getting into. This is just scary enough to severely frighten teens, but I don’t think it is so frightening that it’ll haunt them at night unless they are young tweens, but you and your kids’ mileage may vary. It’s a cute and fairly effective horror film that, I think, has the potential to become a favorite for teens. Those who dug Annabelle Comes Home will be happy with this similarly cutesy horror film. Continue reading “REVIEW: Scary Stories to Tell in the Dark (2019)”→
The following is a review of Tomb Raider — Directed by Roar Uthaug.
After winning her Best Supporting Actress Academy Award for Girl, Interrupted, Angelina Jolie went on to play smart female adventurous archaeologist Lara Croft in the first film based on the popular series of video games Tomb Raider. Neither of the two Jolie-led Tomb Raider-films were at all memorable, to me. Continue reading “REVIEW: Tomb Raider (2018)”→
The following is a review of Disney’s Pete’s Dragon – Directed by David Lowery
Disney’s Pete’s Dragon is a re-imagining of the 1977 comedy musical of the same name. It is not a remake, which I assumed it was until I saw the new film. The original film was about an orphan who is adopted into an abusive family. The 1977 version is a mostly forgotten film, which I remember watching but hardly remember for anything really. That probably tells you why it took me this long to finally watch David Lowery’s re-imagining. Continue reading “REVIEW: Pete’s Dragon (2016)”→
The following is a review of Beauty and the Beast – Directed by Bill Condon
I was born in the early 1990s, and, as a result, one of my first favorite movies was the animated ‘classic’ Disney’s Beauty and the Beast from 1991. My mom recently reminded me and my sister that we would watch it over and over again when we were kids, and my father seems to have become tired of the film as a result.
I still absolutely love the animated film, but, seeing as I’ve enjoyed both Jon Favreau’s The Jungle Book remake and Kenneth Branagh’s Cinderella remake, I was confident in Disney’s ability to remake another one of their most beloved films. Yet while I can say that I enjoyed this remake by Bill Condon, it does feel rather unnecessary and it doesn’t hold a candle to the animated classic. Continue reading “REVIEW: Beauty and the Beast (2017)”→
The following is a review of Silence – Directed by Martin Scorsese
Based on the 1966 Japanese novel of the same name, legendary film director Martin Scorsese’s next historical epic Silence is a story about the limit to one’s faith for a priest in a foreign, strange, and Godless land. It takes place in the 17th Century and the film opens by showing intense punishment in Japan. Father Ferreira (played by Liam Neeson) is witnessing Christians being tortured, and we soon learn that he eventually renounced his faith. Continue reading “REVIEW: Silence (2016)”→
The following is a review of The Martian, a Ridley Scott film.
In 2011, Andy Weir self-published his first ever novel, The Martian. The Martian was envisioned as a very realistic science fiction novel, and it eventually became quite a hit. Then, in 2013, 20th Century Fox optioned the film rights, with Drew Goddard announced as the scriptwriter, and, later, Ridley Scott was announced as the director. One now hoped that Goddard’s talent and Scott’s experience could make The Martian a solid film. Thankfully, it is much more than that – The Martian is one of the best films of 2015. Continue reading “REVIEW: The Martian (2015)”→