Looking back years from now, I think 2023 will be remembered similarly to how people remember 2007 and 2019. It was an incredible year for cinema, and it was therefore incredibly hard to cut this list down to only ten (with one honorable mention). Some of the films that almost made it onto the list, but came up just short, include All of Us Strangers, Fallen Leaves, The Promised Land, Infinity Pool, and La Chimera. It’s wild to think that even though I really loved Barbie, it wouldn’t even have found its way into a top twenty for the year — that’s how good of a year for film 2023 was.
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Spider-Man: Across the Spider-Verse (2023) | REVIEW

Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson — Screenplay by Phil Lord, Christopher Miller, and Dave Callaham.
With 2018’s Spider-Man: Into the Spider-Verse, a vast team of storytellers caught lightning in a bottle, as they managed to make a film that not only captured what makes superhero and Spider-man films so electric and fun to watch, but they had also made an animated film with a groundbreaking animation style. At the same time, they managed to introduce the world to Miles Morales — a once lesser-known Spider-Man — in a way that made him an instant fan favorite. Into the Spider-Verse is one of the best animated films of the 2010s and arguably the century at the time of writing. Since then, a lot has happened. The idea of a multiverse film has become so mainstream that the Academy Awards has even given Best Picture to a multiverse-focused film. To add to that, we even got a live-action Spider-Man multiverse film with Spider-Man: No Way Home. It would be totally understandable to think that the idea of multiverse storytelling is played out and that no one is clamoring for more Spider-People. Thus, recapturing that same lightning in a bottle was not anywhere close to being simple. And yet, that is exactly what has happened with Across the Spider-Verse, the direct sequel to the 2018 animated hit. Across the Spider-Verse is not just more of the same.
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