The following is a review of Uncut Gems — Directed by Josh & Benny Safdie.
“Keep an eye on the Safdie Brothers.” — I ended my short review of 2017’s Good Time thusly. When I watched that film I don’t think I knew of the Safdies Brothers’ early career as young but already somewhat prolific independent filmmakers. To me, they were (and, in a way, still are) exciting newcomers to the world stage of cinema. Good Time was a brilliant but anxiety-inducing nightmare that gave us Robert Pattinson’s finest performance, thus far. That film showcased the Safdies’ talents as directors both with the exquisite mastering of tension and anxiousness, as well as the ability to pull out awards-worthy performances from actors who have a tendency to be pigeonholed. With Uncut Gems, the filmmaking duo has done it again. Adam Sandler delivers his finest performance since 2017’s The Meyerowitz Stories in the Safdies’ Good Time-follow-up, which is even more nailbiting and even more impressive. Continue reading “REVIEW: Uncut Gems (2019)”→
The following is a review of Under the Silver Lake — Directed by David Robert Mitchell.
In 2014, David Robert Mitchell’s It Follows was released to critical acclaim. It was one of the first horror films that I ever reviewed and I remember the film mostly for its riveting score and the unique premise of the film which was really more of a parable. In 2016, Mitchell shot his follow-up to the aforementioned horror film. His film, Under the Silver Lake, was eventually acquired by A24, and it competed for the Palme d’Or at the Cannes Film Festival in 2018.
I remember watching the trailer and being intrigued by the cast and the mystery. It was meant to be released that summer, but then A24 pulled it from its release schedule. In 2019, Mitchell’s film was released without much fanfare. Supposedly, this was one of those polarizing films that you either hate or love. Recently, I found myself watching Mark Kermode’s review of Under the Silver Lake during which time I was struck by the severity of his reprimand as he proclaimed: “It’s so tooth-grindingly boring.” I’m a big fan of Mark Kermode, but, I have to say, I really dug Mitchell’s film. Continue reading “REVIEW: Under the Silver Lake (2019)”→
The following is a review of Hereditary — Directed by Ari Aster.
You can always tell a horror movie is going to be the talk of the town once, at least, one of the three following things happen: when it receives critical acclaim, when critics are championing a central performance in the film, and when critics, fans, or filmmakers say or imply that the film isn’t really a horror movie. All three things happened with Hereditary. Continue reading “REVIEW: Hereditary (2018)”→
The following is a review of The Killing of a Sacred Deer – Directed by Yorgos Lanthimos.
Danish auteur Lars Von Trier — the director behind such films as Breaking the Waves, Melancholia, and Anti-Christ — once said that a film should be ‘like a rock in your shoe.’ The newest work from Greek auteur Yorgos Lanthimos titled The Killing of a Sacred Deer is that kind of film. Continue reading “REVIEW: The Killing of a Sacred Deer (2017)”→
The following is a review of It Comes At Night – Directed by Trey Edward Shults.
Following the critical success of his feature film directorial debut Krisha, director Trey Edward Shults has teamed up with A24 again to release his second film It Comes At Night. A24 has a great reputation of releasing smart, interesting, and different films.
However, much like last year’s extremely popular A24 ‘horror film’ The Witch, It Comes At Night suffers from being marketed as a conventional horror film. Thus bringing in audiences that are unprepared for the type of film it, ultimately, is. Continue reading “REVIEW: It Comes At Night (2017)”→
The following is a review of Moonlight – Directed by Barry Jenkins
Whenever a smaller film becomes the ‘Best Picture’ winner at the Academy Awards, there is a pretty big chance that it will labeled as an overrated film later on. People will watch those kinds of films for the first time, and maybe they won’t be blown away the way they were expecting to be. The general moviegoing audience may encounter these films and question the Academy’s decision to give them that award.
Now, I, unfortunately, had to wait until after the Academy Awards to see Moonlight. So, when I finally got the chance to see the newest ‘Best Picture’ winner, I will admit that I was a bit worried. As I left the theater – still thinking about the film, obviously – I didn’t feel that this was my favorite film of the year. Another 2016 film had already stolen my heart. But make no mistake. Moonlight is a masterpiece. Continue reading “REVIEW: Moonlight (2016)”→
The following is a quick review of Jeremy Saulnier’s Green Room.
Jeremy Saulnier’s Green Room follows a punk band called ‘Ain’t Rights,’ which is nearing the end of their tour. In Oregon, they meet a local radio host who arranges a gig at a neo-Nazi bar. After the show, the band goes back to the green room, and they see a girl who has been stabbed to death. When the band’s bassist (played by Anton Yelchin) tries to call the police, the bouncers and the bar owners freak out and hold them at gunpoint inside the green room. Continue reading “REVIEW: Green Room (2016)”→
The following is a review of EX_MACHINA — Directed by Alex Garland.
This is a film that I have been really excited about for a long time. The trailer just hooked me immediately. Though, for some unknown reason, I don’t believe it was ever released in theaters in Denmark. Therefore I had to wait until I got my hands on the Blu-Ray. Thankfully, the long wait was worth it. This is a cerebral science-fiction classic-in-the-making. Continue reading “REVIEW: EX_MACHINA (2015)”→