The following is a review of Hereditary — Directed by Ari Aster.
You can always tell a horror movie is going to be the talk of the town once, at least, one of the three following things happen: when it receives critical acclaim, when critics are championing a central performance in the film, and when critics, fans, or filmmakers say or imply that the film isn’t really a horror movie. All three things happened with Hereditary. Continue reading “REVIEW: Hereditary (2018)”→
The following is a review of The Killing of a Sacred Deer – Directed by Yorgos Lanthimos.
Danish auteur Lars Von Trier — the director behind such films as Breaking the Waves, Melancholia, and Anti-Christ — once said that a film should be ‘like a rock in your shoe.’ The newest work from Greek auteur Yorgos Lanthimos titled The Killing of a Sacred Deer is that kind of film. Continue reading “REVIEW: The Killing of a Sacred Deer (2017)”→
The following is a review of It Comes At Night – Directed by Trey Edward Shults.
Following the critical success of his feature film directorial debut Krisha, director Trey Edward Shults has teamed up with A24 again to release his second film It Comes At Night. A24 has a great reputation of releasing smart, interesting, and different films.
However, much like last year’s extremely popular A24 ‘horror film’ The Witch, It Comes At Night suffers from being marketed as a conventional horror film. Thus bringing in audiences that are unprepared for the type of film it, ultimately, is. Continue reading “REVIEW: It Comes At Night (2017)”→
The following is a review of Moonlight – Directed by Barry Jenkins
Whenever a smaller film becomes the ‘Best Picture’ winner at the Academy Awards, there is a pretty big chance that it will labeled as an overrated film later on. People will watch those kinds of films for the first time, and maybe they won’t be blown away the way they were expecting to be. The general moviegoing audience may encounter these films and question the Academy’s decision to give them that award.
Now, I, unfortunately, had to wait until after the Academy Awards to see Moonlight. So, when I finally got the chance to see the newest ‘Best Picture’ winner, I will admit that I was a bit worried. As I left the theater – still thinking about the film, obviously – I didn’t feel that this was my favorite film of the year. Another 2016 film had already stolen my heart. But make no mistake. Moonlight is a masterpiece. Continue reading “REVIEW: Moonlight (2016)”→
The following is a quick review of Jeremy Saulnier’s Green Room.
Jeremy Saulnier’s Green Room follows a punk band called ‘Ain’t Rights,’ which is nearing the end of their tour. In Oregon, they meet a local radio host who arranges a gig at a neo-Nazi bar. After the show, the band goes back to the green room, and they see a girl who has been stabbed to death. When the band’s bassist (played by Anton Yelchin) tries to call the police, the bouncers and the bar owners freak out and hold them at gunpoint inside the green room. Continue reading “REVIEW: Green Room (2016)”→
The following is a spoiler-free review of EX_MACHINA by Alex Garland.
This was a film that I was really excited about after seeing the trailer. Though, for some unknown reason, I believe it was never released in theaters in Denmark. Thus I had to wait for the Amazon Blu-Ray release date, which is finally here. Was the wait worth it? Short answer: Most definitely.