Directed by Florian Zeller — Screenplay by Florian Zeller & Christopher Hampton.
Based on his own play of the same name (Le Père), The Father is the film directorial debut of Florian Zeller, a French novelist, playwright, and screenwriter. The film follows an elderly man suffering from progressing dementia, Anthony (played by Anthony Hopkins), as he lives with his daughter, Anne (played by Olivia Colman), and her partner. Anthony’s shifting moods and memory disorders have made it difficult for caregivers to take care of him, so Anne has put her life on hold to take care of him. But, as he is losing his grip on reality, Anne informs him that she may have to move to Paris and leave him in London.
On Monday April 26th, 2021, the day after Thomas Vinterberg’s Another Round (Danish Title: Druk) had won the Best International Feature Film Oscar, DEADLINE Hollywood reported that, to the surprise of no one, Hollywood wanted to make another English-language remake of a popular non-American hit. What was surprising, however, was that the English-language remake rights had been acquired by Appian Way, Endeavor Content, and Makeready for the purpose of developing a remake as a star vehicle for Leonardo DiCaprio, arguably the biggest movie star on the planet. So, how should we feel about that? Is it an exciting pat on the back, or should we be upset?
In honor of Thomas Vinterberg’s extremely moving acceptance speech last night, allow me to open with a reference to arguably his most famous film. There is a moment in Thomas Vinterberg’s Cannes Awards-winning Dogme-film Festen (international title: The Celebration), where the main character Christian (played by Ulrich Thomsen) asks his father, whose birthday is being celebrated, what speech he would like Christian to read for him — the green speech or the yellow speech? His father chooses the ‘green’ speech, and, as a result, the events of the unforgettable film take place. Sometimes a single decision can change everything. And, in the case of the 93rd Academy Awards’ ceremony, a decision was made that ultimately destroyed an otherwise decent ceremony.
In the memorable words of Billy Crystal: “It’s a wonderful night for Oscar. Oscar, Oscar. Who will win?” After a prolonged awards season, it’s finally time for the main course, the 93rd Academy Awards. This year, due to the limited studio output in 2020 as a result of the COVID-19 global pandemic, AMPAS extended the eligibility window to include films from the first months of 2021, which is why a film such as Judas and the Black Messiah is nominated already this year.
Directed by Shaka King — Screenplay by Will Berson & Shaka King.
Next week, Shaka King’s Judas and the Black Messiah may have become the winner of one or multiple Oscars at the 93rd Academy Awards, which, in theory, was supposed to honor the best films of 2020, in spite of the fact that this film was released in 2021. This is the result of a change to this Oscar season’s eligibility period due to the COVID-19 global pandemic, and this now means that select films released in early 2021 may also qualify to compete against 2020 films at the Oscars.
In general, this was a rule change that I am very much against as I absolutely do think that there are enough good films from 2020 that the Academy should honor, instead of adopting some odd eligibility window for the sake of giving more time to studios to release films that absolutely could’ve competed at the 94th Academy Awards instead. Regardless, I actually highly recommend Shaka King’s Judas and the Black Messiah, and, if it had been released in 2020, it probably would be one of my favorite films of that year.
It’s that time of the year again (though a little bit later than usual)! The Academy Awards nominations will be revealed in a couple of days on March 15th, 2021. As always, there will be surprises, there will be upsets, and there will probably be a snub or two. Only time will tell how wrong or right awards analysts and precursors will be. This year, the BAFTAs tried out a new method that has shaken up the awards precursor traditions and that means there are numerous categories that are up for grabs at the Oscars. Continue reading “93rd Academy Awards: Final Oscar Nomination Predictions”→
The coronavirus pandemic has had a serious impact on the film industry. Universal has pulled several films from their theatrical release schedule and made them available on-demand, and, allegedly, they have found a lot of success with the VOD release of Trolls World Tour. Meanwhile, we still don’t know when theaters all over the world will reopen. It could take several weeks, but it could also take several months. Your guess could be as good as mine. As a direct result of the coronavirus pandemic, the Academy of Motion Picture Arts and Sciences’ (AMPAS) Board of Governors has approved several noteworthy rule changes that, among other things, change which films are eligible for the 93rd Academy Awards. Continue reading “93rd Oscars: New Eligibility Requirements and a ‘New’ Category – Special Features #69”→
I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63”→