Predator: Badlands (2025) | REVIEW

Dimitrius Schuster-Koloamatangi’s Dek in PREDATOR: BADLANDS — PHOTO: 20th Century Studios (Still image from trailers).

Directed by Dan Trachtenberg — Screenplay by Patrick Aison.

Predator: Badlands is the ninth (seventh if you don’t include the Alien vs. Predator crossovers) film about the alien creatures that we call ‘predators,’ one of which once went toe to toe with Arnold Schwarzenegger’s Dutch in the jungle in John McTiernan’s 1987 sci-fi action classic Predator. In the past few years, 10 Cloverfield Lane director Dan Trachtenberg has tried his best to take the franchise in a new direction with the fantastic live-action prequel titled Prey, where a Comanche woman encountered a Predator, and, more recently, with the animated triptych-esque Predator: Killer of Killers. Both of those Trachtenberg films were released straight to streaming, but now, with his third outing as a director of a Predator film, Predator: Badlands, time will tell if the higher budget and Trachtenberg’s ambitious storytelling will get the audience they deserve. Because, frankly, I think it is a very cool step in the right direction for the long-running franchise. 

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‘Ballad of a Small Player,’ ‘The Home,’ ‘Det Andet Offer,’ and More | Bite-Sized Reviews

Top Row (L-R): ‘Ballad of a Small Player (Netflix);’ ‘The Home (Lionsgate /Roadside Attractions);’ ‘Det Andet Offer (SF Studios).’
Bottom Row (L-R): ‘Under Stjernerne På Himlen (SF Studios;’ ‘Opus (A24),’ ‘The Amateur (20th Century Studios).’

Every once in a while, I don’t quite have enough to say or the time to put it into enough words for me to write full, dedicated reviews for everything new that I see. So, from time to time, I will just post a short review on Letterboxd, and, as you may have noticed, sometimes these reviews find their way to this site in the form of bite-sized reviews in a compilation article. That is exactly what’s happening today.

In this article, I’ll give you my thoughts on two Danish films starring the same stand-up comedian turned actor, an action thriller that came and went without much fanfare, a mystery thriller that also came and went without making an imprint, a recent Netflix casino flick, and a retirement home-set horror film that may just be one of the worst films I’ve seen this year. Let’s get to it.

Continue reading “‘Ballad of a Small Player,’ ‘The Home,’ ‘Det Andet Offer,’ and More | Bite-Sized Reviews”

REVIEW: West Side Story (2021)

The Jets, The Sharks, and Tony & Maria in Spielberg’s West Side Story – Photo: 20th Century Studios.

Directed by Steven Spielberg – Screenplay by Tony Kushner.

If you’ve been thinking that another West Side Story is pretty unnecessary, then you’re not alone. After all, Robert Wise and Jerome Robbins’ 1961 musical film adaptation of the Romeo & Juliet-inspired Broadway stage play ended up with eleven Oscar nominations and won in ten of those categories including Best Picture. Often regarded as one of the greatest musical films of all time, the 1961 film has made people very familiar with the story. So, did we need Steven Spielberg to make a new version of the stage play? No, we definitely didn’t. But here’s the thing. Let’s be honest, we also didn’t technically need another Batman reboot. We didn’t technically need three different live-action Spider-Men in the last twenty years. However, even though we didn’t need those films, just like how I loved the vast majority of the Spider-Man films, as well as the new Batman flick, I have to say that Steven Spielberg’s West Side Story is just wonderful. We didn’t need it, but I’m glad we now have it.

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REVIEW: Free Guy (2021)

Jodie Comer as Molotov Girl and Ryan Reynolds as Guy in FREE GUY — Photo: Alan Markfield / 20th Century Studios.

Directed by Shawn Levy (Night at the Museum) — Screenplay by Matt Lieberman & Zak Penn.

It feels like I have been waiting for Free Guy for so long, and, in a way, I have. The first trailer was released back in 2019, then its theatrical release was delayed again and again due to the COVID-19 pandemic until it was finally released in the summer of 2021. And now it has finally been released on Disney+ in select regions. I actually always enjoyed the trailers, but, I must admit that, a small part of me was trepidatious about the film because I worried that I would have the same problems with Free Guy that I had with Ready Player One. But even though Free Guy does have plenty of references, I never thought it was as overwhelming as I thought the aforementioned modern Spielberg dystopian action film was. I quite enjoyed this movie, warts and all.

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REVIEW: The New Mutants (2020)

New Mutants Still Image
‘The New Mutants,’ Still Image — Photo: Claire Folger / 20th Century Studios.

Directed by Josh Boone — Screenplay by Josh Boone & Knate Lee.

For a while there, it seemed like Josh Boone’s The New Mutants would never see the light of day. They wrapped principal photography in September 2017 and originally planned for an April 2018 theatrical release, but, right when Disney executives were working overtime to acquire Fox, the film was delayed over and over again. The film which had been developed by 20th Century Fox was ultimately released by Disney’s 20th Century Studios in the middle of a global pandemic. It felt like the film was quietly being swept under the rug, which may not be far from the truth as the film was the final film from the Fox-era of X-Men. Originally, I was very interested in the film after having seen the early marketing material, which made The New Mutants seem like a true horror film. Now that I have finally seen the film, I can say that the early trailers were more memorable than the film, which is messy and poorly paced. But I will say that it definitely isn’t the complete and utter trainwreck that the constant release delays may have led you to believe. It’s not good, but it certainly isn’t the worst Fox-developed X-Men film. Continue reading “REVIEW: The New Mutants (2020)”

REVIEW: The Call of the Wild (2020)

Theatrical Release Poster – 20th Century Studios

The following is a review of The Call of the Wild (2020) — Directed by Chris Sanders.

Chris Sanders’ The Call of the Wild is an adaptation of the Jack London short adventure novel of the same name from 1903, which, since 1923, has been made into several films. Set in the late 19th Century, the film follows Buck (motion-captured by Terry Notary), a large and excited St. Bernard-Collie dog. In the film’s opening, the oversized, eager, and excited dog from California is abducted, crated, and put on a ship headed for Yukon. In snowy Yukon, Buck is then swiftly sold to become a sled dog, which he struggles with. Over the course of the film, Buck experiences wilderness, he leads by example, and he encounters new masters and friends, including John Thornton (played by Harrison Ford), a grumpy and world-weary nomad, who learns to love man’s best friend. Continue reading “REVIEW: The Call of the Wild (2020)”