Tag: 2023

The Wonderful Story of Henry Sugar and Three More (2023/2024) | REVIEW

Benedict Cumberbatch and Dev Patel in ‘Poison’ from THE WONDERFUL STORY OF HENRY SUGAR AND THREE MORE — PHOTO: NETFLIX (Still image from trailers).

Directed by Wes Anderson — Screenplay by Wes Anderson.

In 2023, Wes Anderson teamed up with Netflix to release four short films, all of which were based on the works of Roald Dahl, in September of that year. Eventually, one of these features — The Wonderful Story of Henry Sugar — was the effort that finally earned Wes Anderson his first Oscar, though in the short film category, which I don’t think many would’ve seen coming just a few years ago. Then, in 2024, following the Oscar win, Netflix released an anthology film consisting of Wes Anderson’s four short films. All four shorts feature heavy but quirky narration and the heavy stylization that we’ve come to know and love Wes Anderson for, though with slight tweaks from short to short. In this review, I’ll share my initial reaction to each of the four shorts, as well as give a final score out of ten for the repackaged anthology feature.

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Top Ten Films of 2023 | Flashback

Looking back years from now, I think 2023 will be remembered similarly to how people remember 2007 and 2019. It was an incredible year for cinema, and it was therefore incredibly hard to cut this list down to only ten (with one honorable mention). Some of the films that almost made it onto the list, but came up just short, include All of Us Strangers, Fallen Leaves, The Promised Land, Infinity Pool, and La Chimera. It’s wild to think that even though I really loved Barbie, it wouldn’t even have found its way into a top twenty for the year — that’s how good of a year for film 2023 was.

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‘La Chimera,’ ‘Dogtooth,’ ‘Trap,’ and ‘Look Back’ | Bite-Sized Reviews

Top Row (L-R): ‘La Chimera (01 Distribution);’ ‘Dogtooth (Feelgood Entertainment).’
Bottom Row (L-R): ‘Trap (Warner Bros. Pictures),’ ‘Look Back (Avex Pictures).’

In this edition of Bite-Sized Reviews, I give you my thoughts on last year’s M. Night Shyamalan release, a Greek Yorgos Lanthimos flick, an animated film that blew me away, and an Alice Rohrwacher film that I can’t stop thinking about.

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Red Rooms (2023) | REVIEW

Laurie Babin and Juliette Gariépy in Pascal Plante’s RED ROOMS — PHOTO: Entract Films (Still image from trailers).

Directed by Pascal Plante — Screenplay by Pascal Plante.

Pascal Plante’s Red Rooms (original title: Les Chambres Rouges) is a dark psychological thriller that follows a Montreal-based model named Kelly-Anne (played by Juliette Gariépy), who has an unhealthy interest in the trial of Ludovic Chevalier (played by Maxwell McCabe-Lokos), a man accused of having murdered three young women. The trial, which has become somewhat of a media circus, has attracted different kinds of people, including Clémentine (played by Laurie Babin), a woman who is portrayed as a fan of Chevalier and who believes he is innocent. As the trial moves forward, Kelly-Anne, who has an interest in computer technology, and Clémentine form a friendship, but their intentions don’t seem to align.

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‘Fly Me to the Moon,’ ‘Late Night With the Devil,’ ‘Dear Santa,’ and ‘Five Nights at Freddy’s’ | Bite-Sized Reviews

Top Row (L-R): ‘Fly Me to the Moon (Apple TV+ / Columpia Pictures);’ ‘Late Night With the Devil (IFC Films).’
Bottom Row (L-R): ‘Dear Santa (Paramount Pictures),’ ‘Five Nights at Freddy’s (Universal Pictures).’

In this edition of Bite-Sized Reviews, I reveal my thoughts on a horror video game adaptation, a Jack Black-led Christmas film, an Apple TV+ film whose title references a Frank Sinatra song, and an indie horror film with an interesting premise.

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‘Fallen Leaves,’ ‘C’mon C’mon,’ ‘The Salesman,’ and ‘The Dead Don’t Hurt’ | Bite-Sized Reviews

Top Row (L-R): FALLEN LEAVES (B-Plan Distribution / Pandora Film); C’MON C’MON (A24).
Bottom Row (L-R): THE SALESMAN (Film Iran / Memento Films); The Dead Don’t Hurt (Scanbox Entertainment).

In this post, I’ll give you my thoughts on my first Aki Kaurismäki experience, a 2-time Cannes award winning Farhadi film, an underseen Joaquin Phoenix film, and Viggo Mortensen’s latest film as a writer-director.

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11th I’m Jeffrey Rex Awards – 2023

I know. I didn’t just forget which year we’re in. We’re about to say goodbye to 2024, and here I am with a list of the very best films, shows, and whatnot from 2023? That’s certainly a choice, right? Look, I’ll be honest. I’ve been pretty busy this year, and I, around summer time, felt like I might as well wait until I had seen the two or three films that I felt I had to watch before publishing my lists for 2023. It kind of makes sense, right? If it’s already late, then I might as well make sure the choices are bulletproof, you know? Anyhow, here we are, and I’m going to be running you through all of my winners in a single post. Some awards have been canned (e.g. poster, trailer), other fresh ones have been added (e.g. stunts). It’ll take some time, but stick with me here. Oh, and look on the bright side, this way the wait between the 2023 and 2024 lists won’t be all that long. Anyway, let’s get to it (and happy holidays!). 

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‘Young Woman and the Sea,’ ‘Milk and Serial,’ and More | Review Compilation

(L-R, top row) BLACKBERRY (Elevation Pictures); MILK & SERIAL (that’s a bad idea); THE LAST VOYAGE OF THE DEMETER (Universal Pictures). (L-R, bottom row) YOUNG WOMAN AND THE SEA (Disney); VAN HELSING (Universal Pictures); Englemageren (SF Film).

I’ve been itching to get some of my thoughts on a wide variety of films out there here towards the end of the year. So, while there will still be both solo new release reviews and review compilations about TV-Shows, I’ve planned two or three film-related review compilations that’ll be released in the next few weeks. Today, I’m going to share my thoughts on a super popular YouTube film, two films from Norwegian film directors, and much more. Let’s get to it.

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Sanctuary (2023) | REVIEW

(L-R) Margaret Qualley and Christopher Abbott in Zachary Wigon’s SANCTUARY — PHOTO: Neon (Still image from trailers)..

Directed by Zachary Wigon — Screenplay by Micah Bloomberg.

Sanctuary is a dark comedy and psychosexual thriller from film critic-turned-director Zachary Wigon. Released in 2023, following an initial premiere at the 2022 Toronto International Film Festival, the film follows Hal (played by Christopher Abbott), the insecure presumptive heir to his late father’s wealthy company, as well as Rebecca (played by Margaret Qualley), who Hal has hired to be his dominatrix. During one of their sessions, Hal intimates his decision to end their mutually beneficial relationship, as he is now supposed to take on bigger responsibilities as the figurehead of a major company. She is clearly offended by the development and is considering leaving. However, instead, she desires to launch into a go-for-broke attempt at blackmail.

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2023 TV Catch-Up / Backlog: The Greats | Bite-Sized Reviews

(Clockwise L-R) Natasha Lyonne in POKER FACE (Peacock / SkyShowtime), Harrison Ford and Lukita Maxwell in SHRINKING (Apple TV+), Carla Gugino in THE FALL OF THE HOUSE OF USHER (Netflix), FOR ALL MANKIND (Apple TV+), and THE BEAR (Disney+ / FX).

Just like with the previous edition of Additional Bite-Sized Reviews, the point of this post is to function as a review compilation, if you will, of some notable 2023 television series that I’ve either just caught up with or which I never found the time to write about when they were released way back when. For this post, I have specifically highlighted five of the past year’s best shows. For quite a few of these, I had initially intended to write extensive, long reviews, but time flew by and now I just feel the need to get my thoughts out there on some of my favorite shows from 2023.

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