Directed by Daniel Kwan and Daniel Scheinert (Swiss Army Man) — Screenplay by Daniel Kwan and Daniel Scheinert.
It is exceedingly rare to find new original and genuinely inventive films made in the American film industry that also find an audience and make a lot of money at the box office. In that regard, already on paper, writer-director-duo Daniel Kwan and Daniel Scheinert — often referred to as the Daniels — have made a special surprise hit and something to be treasured. But it isn’t just special on paper. Everything Everywhere All At Once is an inspired and unique original film that captures Hollywood’s latest obsession at the right time and is a truly exceptional transportive and moving cinematic experience.
Directed by Sam Raimi – Screenplay by Michael Waldron.
Let’s be honest here. The Marvel Cinematic Universe (MCU), arguably the most popular film series of our current time, is really more a series than a selection of films. Martin Scorsese has referred to superhero films like those as theme park rides (which I still contend isn’t as dismissive as it has been received by the internet), and, with its cliffhangers, easter eggs, references, and overarching character arcs, it is becoming increasingly difficult for these films to stand on their own. Some of these Marvel movies, for better or worse, don’t even try to stand on their own (like Avengers: Age of Ultron). Doctor Strange In the Multiverse of Madness is one of those films.
Directed by Tom Gormican – Screenplay by Tom Gormican and Kevin Etten.
Nicolas Cage is incredible. He’s a legend. This film’s opening states as much. It is true, though. The Academy Award winner may have done a lot of cheaper straight-to-video B-films over the course of more than the last decade, but the star with a cult following has remained a wildly entertaining thespian through it all, and he hasn’t lost a step, like Michael Sarnoski’s Pig, from last year, proved. The Unbearable Weight of Massive Talent may not ultimately earn Cage as many critical accolades as the aforementioned Sarnoski film did, but it is a great comedic tribute to Cage, as well as a reminder to audiences all around the world that he’s still here, he never went anywhere, and he’s as entertaining as ever.
Directed by Toby Meakins – Screenplay by Simon Allen.
This is the kind of film that, not too long ago, would’ve been the kind of horror picture that could be released in theaters and earned quite a bit of money, like Jeff Wadlow’s Truth or Dare, which this film reminded me of at times. Who knows, maybe it could’ve even done that right now in a post-lockdown America. We will never know because instead of being released theatrically this nostalgic tech-focused horror film was released without much fanfare on Netflix on April 15th. If you like those kinds of gimmicky horror films, then this might be the kind of film that you’d like to put on. But, with that having been said, I cannot recommend this fairly disposable horror feature, in spite of its relatively short 84-minute runtime.
Directed by Robert Eggers (The Witch) – Screenplay by Robert Eggers & Sjón.
Inspired by Icelandic sagas and Saxo Grammaticus’ Gesta Danorum legend of Prince Amleth of Jutland (the latter of which was supposedly the inspiration for William Shakespeare’s Hamlet), The Northman is a $90 million budgeted epic viking revenge film from Robert Eggers, the director of the relatively low-budgeted indie ‘art house-esque’ horror films The Witch and The Lighthouse. It is a dirty, violent, blood-soaked, and brilliantly-made film, and it is easily Robert Eggers’ most accessible film, even though it definitely isn’t your average big-budgeted action film.
Directed by Christian Tafdrup – Screenplay by Christian Tafdrup & Mads Tafdrup.
At this year’s Sundance Film Festival, critics and festivalgoers alike were introduced to one of Denmark’s latest filmmaking provocateurs, Christian Tafdrup. The actor-turned-director got his career as a filmmaker started with his first two feature-length efforts Forældre (int. title: Parents) and En Frygtelig Kvinde (int. title: A Terrible Woman), the latter of which starred Amanda Collin (who you may have seen in HBO Max’s Raised by Wolves) and was a relative hit that provoked some audience-members. Speak No Evil — Tafdrup’s latest feature film — was received fairly well at the festival, and is, reportedly, one of the best films that actor Robert Pattinson has seen in many years. I won’t go that far, but I will say that I think this very unsettling Danish thriller is Tafdrup’s best film yet.
Sad news coming out of Hollywood today, as the Willis family has put out a statement confirming that their patriarch, Bruce Willis, one of the biggest male action stars in Tinseltown for the last thirty-five years has decided to step away from his acting career due to recent health issues and the fact that he has been diagnosed with aphasia.
Others may disagree but the Academy Awards ceremony — arguably Hollywood’s biggest night — is never boring to me. Some cinephiles think of it like their Super Bowl, their WrestleMania, but I don’t think anyone expected the ceremony to devolve into a contact sport as it briefly did in the Dolby Theatre at the 94th Academy Awards, when one of Hollywood’s last name-brand movie stars, the almost-always cool Will Smith, lost his temper. It was certainly one of the uglier moments in Oscar history, and it also topped what was previously the craziest moment in Oscar history.
In this edition of my recurring movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at one of the start of the year’s best shows, and I also give you my thoughts on a (currently) Oscar-nominated film. So, get comfortable, and get ready to read my thoughts on things like Apple TV+’s latest gem and the film that very well could earn Jessica Chastain her first Academy Award tonight.
I get it. We’re almost in April. You’ve probably already started to think about this year’s films and whether or not films like The Batman can secure an Oscar nomination next year. But AMPAS nevertheless decided that the Oscars ceremony celebrating 2021 films was to be held this upcoming Sunday. It’s been a long awards season, and it feels like some of the original frontrunners — like The Power of the Dog — have fallen behind in the race for the biggest award of the night. Now it looks like the crowd-pleasing CODA has overtaken the spotlight from the truly cinematic Netflix flick directed by Jane Campion. In this article, I’ll give you my final predictions for the 94th Academy Awards, along with some longer explanations for the biggest categories. Hollywood’s biggest night is almost here, but who will win? Read below to find out what I think will happen.