Superman Returns (2006) | RETRO REVIEW

Brandon Routh and Kate Bosworth in SUPERMAN RETURNS — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Bryan Singer — Screenplay by Michael Dougherty and Dan Harris.

It seems crazy when you put it like this, but after Superman IV in 1987, we didn’t get to see the Man of Steel on the big screen until 19 years later. In that waiting period, several projects were tinkered with and abandoned, including a fifth Reeve-led Superman film, a Tim Burton-directed and Nicolas Cage-led film titled Superman Lives, and Superman: Flyby, which had people like J.J. Abrams, Brett Ratner, McQ, and various actors attached before it was eventually let go. But in 2006, we finally got a new big-screen Superman with X-Men director Bryan Singer’s Superman Returns, which received a decent-enough critical reception despite the fact that Roger Ebert gave it a negative review. I’ve always been quite underwhelmed by the film, and I had hoped that my latest rewatch could change my stance on the film, but, unfortunately, I still think this film is a little bit of a dud.

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The Fantastic Four: First Steps (2025) | REVIEW

The Thing, the Invisible Woman, Mr. Fantastic, and the Human Torch in THE FANTASTIC FOUR: FIRST STEPS — PHOTO: Marvel Studios / Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Matt Shakman (WandaVision) — Screenplay by Josh Friedman (Kingdom of the Planet of the Apes), Eric Pearson (Thunderbolts*), Jeff Kaplan, and Ian Springer.

Although the Avengers are today the most well-known superhero group, even though the X-Men dominated the big screen in the 2000s, it was, in actuality, the Fantastic Four that were the original Marvel Comics team. Though Stan Lee and Jack Kirby created the Fantastic Four and found great popularity for the team often referred to as the ‘First Family,’ the team of four has long struggled to find the same success on the big screen that the Avengers and X-Men have enjoyed. Prior to this new live-action attempt at making a successful Fantastic Four film, there were four other films, none of which found success with fans and critics. There was the 1990s Roger Corman-produced, low-budget, and unreleased adaptation, then Tim Story got to release two fairly campy films about Marvel’s First Family in the mid-2000s both of which were largely dismissed by critics, before Chronicle-director Josh Trank got to sit in the director’s chair for 20th Century Fox’s Razzie Award-winning dark and gritty reboot, which Trank, notably, disowned publicly on Social Media during its week of release. It seems that it isn’t all that simple to make a good film about four of Marvel’s most iconic characters. Thankfully, this latest attempt succeeds where prior films failed. The Fantastic Four: First Steps is a strong superhero film that possesses a strong audiovisual identity and aesthetic, and it also does a good job of honoring the characters and the original creators. 

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Christopher Reeve’s Superman Films | REVIEWS

Christopher Reeve as Superman in SUPERMAN: THE MOVIE — PHOTO: Warner Bros. (Still image from trailer).

With a new film in theaters titled Superman, now feels like an appropriate time to take a closer look at the primary films that inspired it, namely the Christopher Reeve era of Superman films in the 1970s and 1980s. Below you’ll find reviews of both Superman: The Movie, Superman II, Superman III, and Superman IV: The Quest for Peace. But, as a special treat, I’ve also reviewed the 2006 Richard Donner cut of Superman II.

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I Know What You Did Last Summer (2025) | REVIEW

Jennifer Love Hewitt in I KNOW WHAT YOU DID LAST SUMMER (2025) — PHOTO: Sony Pictures Releasing (still image from trailers).

Directed by Jennifer Kaytin Robinson — Screenplay by Jennifer Kaytin Robinson and Sam Lansky.

I often mention that my parents let my sister and me watch horror films when we were very young. We grew up watching and enjoying many of these, including especially the Kevin Williamson-written slasher flicks Scream and I Know What You Did Last Summer. Luckily, subsequent sequels and later legacy sequels of Scream have been very satisfying experiences for me to watch. Now, they’re trying to resurrect I Know What You Did Last Summer with its own legacy sequel from director (and Thor: Love and Thunder co-writer) Jennifer Kaytin Robinson. However, it pains me to report that, unlike the Scream legacy sequels, I found the reboot of I Know What You Did Last Summer to be a disappointing and often dreadful experience. It’s the movie this year that made me check my watch the most times, and also the worst film I’ve seen in a theater so far in 2025.

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Superman (2025) | REVIEW

Superman (David Corenswet) and Lois Lane (Rachel Brosnahan) in SUPERMAN (2025) — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by James Gunn — Screenplay by James Gunn.

I can’t stress enough how significant it is that the first image of the new live-action Superman is of him lying defeated in the snow, in need of healing and a pick-me-up, and, importantly, bleeding out of his mouth due to all the fighting he has just been through. It is an immediate act of flipping the switch on the modern cinematic understanding of what and who Superman is. When Marvel Studios launched a cinematic universe at the same time that Christopher Nolan was making self-contained and critically lauded Batman films for DC, they gradually set in motion a trend that Warner Bros. was eager to imitate. The head honchos at the studio gave filmmaker Zack Snyder the keys to their comic book movie empire, and, with his epic but divisive Man of Steel, he gave us a Superman born of a gritty, slow-mo heavy universe wherein he was presented as an Alien with god-like powers that was often paired with Christ-like imagery. Snyder notably had a character ask the godlike alien with an ‘S’ on his chest: “Tell me, do you bleed?”

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Deep Cover (2025) | REVIEW

Orlando Bloom as MARLON, Bryce Dallas Howard as KAT, Nick Mohammed as HUGH in DEEP COVER. Credit: Peter Mountain / © 2025 COPERTURA PRODUCTIONS LTD. ALL RIGHTS RESERVED.

Directed by Tom Kingsley — Screenplay by Colin Trevorrow, Derek Connolly, Ben Ashenden, and Alexander Owen.

Tom Kingsley’s Deep Cover is a crime comedy film about a group of improvisational comedy performers who are hired to use their talents to go undercover in London’s criminal underworld. The film follows Kat Boyles (played by Bryce Dallas Howard), an improv teacher, Marlon (played by Orlando Bloom), a struggling method actor, and Hugh (played by Nick Mohammed), a socially awkward IT worker, who has joined Kat’s comedy group to improve his communication skills and make friends. Their involvement with law enforcement begins when Kat is approached by Detective Sergeant Graham Billings (played by Sean Bean) following one of her comedy shows. Although their first attempt at improvising undercover has some rough edges, they soon find that they’re so convincing that it may get them into trouble.

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28 Years Later (2025) | REVIEW

A mysterious bone temple in Danny Boyle’s 28 Years Later — PHOTO: Sony Pictures Releasing (Still image from trailers).

Directed by Danny Boyle (Yesterday) — Screenplay by Alex Garland (Annihilation).

Nowadays, we’re inundated with zombie, or zombie-adjacent, entertainment, which, once upon a time, was popularized by George A. Romero. But before The Last of Us and before The Walking Dead, there was an early 2000s zombie movie revival — e.g., the Resident Evil film adaptation, Shaun of the Dead, and 28 Days Later — the effects, influence, and iconography of which are still being felt to this day. Two of the primary voices in this revival — though I doubt they thought of themselves as such — were Danny Boyle and Alex Garland, the director and writer, respectively, of 28 Days Later. Here was a film, which was filmed in the UK at the time of the 9/11 attacks in the US, about civilization breaking down, about how quickly we can be turned into people blinded by rage, and about how important it is to hold on to our humanity. Now, 23 years later, following both Brexit and the COVID-19 outbreak and lockdown, Garland and Boyle have re-teamed to continue the story of the rage-virus that shook their world and humanity’s varied response to it with 28 Years Later. It’s one of the most anticipated genre films of the year, but does it live up to all the buildup? Well, I really like this film, but, due to certain elements that are sure-to-be divisive, I think it’s only fair to say that the answer must be a tentative ‘yes and no.’ Let’s dive in.

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Dangerous Animals (2025) | REVIEW

Jai Courtney in Sean Byrne’s DANGEROUS ANIMALS — PHOTO: IFC FILMS (Still image from trailers).

Directed by Sean Byrne — Screenplay by Nick Lepard.

Dangerous Animals is a survival horror shark film from Aussie director Sean Byrne that follows a female American drifter surfer named Zephyr (played by Hassie Harrison), who, after a romantic encounter with a young Aussie real estate agent (Moses, played by Josh Heuston), has cold feet and skedaddles away to to a beach to surf, without saying goodbye. However, before she can catch the waves late at night, she runs into Tucker (played by Jai Courtney), an eccentric Aussie boat captain who makes money taking tourists out to swim with sharks in cage dives. However, Tucker is not a friendly stranger, as he actually abducts Zephyr and traps her on his boat. It turns out that Tucker is a sadistic murderer who gets off on videotaping people getting eaten alive by sharks. While Zephyr tries to escape the boat, Moses partakes in an official search for the woman whom he was smitten by.

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Predator: Killer of Killers (2025) | REVIEW

A hulking Predator in PREDATOR: KILLER OF KILLERS — PHOTO: DISNEY.

Directed by Dan Trachtenberg — Screenplay by Micho Robert Rutare.

With 2022’s Prey, 10 Cloverfield Lane director Dan Trachtenberg proved himself capable of shepherding the Predator franchise and steering it in a new and exciting direction. Now, in 2025, Trachtenberg’s next moves with the iconic sci-fi horror action film series are coming our way. This November, his second live-action Predator-film, Predator: Badlands, is set to premiere theatrically, but if you’re jonesing for more Trachtenberg-Predator goodness right now, then you’ll be happy to know that Disney+/Hulu just released a brand new Predator from Trachtenberg that is unlike anything you’ve ever seen from this franchise, given the fact that it is actually a fully animated film. That may not sound like the ideal way to tell these stories, but, in actuality, Trachtenberg has, with Predator: Killer of Killers, used the medium to pull off some genuine wish-fulfillment Predator movie moments that are exactly as out there and as gory as you could possibly like.

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From the World of John Wick: Ballerina (2025) | REVIEW

Ana de Armas as Eve in Ballerina. Photo Credit: Courtesy of Lionsgate

Directed by Len Wiseman — Screenplay by Shay Hatten.

Only a select few action films of the last ten to fifteen years have become the household name and critical success story that John Wick is. Multiple effective sequels later (as well as an apparently only so-so spin-off miniseries titled The Continental), and now we have the first spin-off film in the franchise. With the clumsily titled From the World of John Wick: Ballerina, the shepherds of the franchise hope to build another film series within the same universe without having to always rely on the presence of the assassin played by Keanu Reeves. At the same time, the film’s title and marketing, which have emphasized the fact that Reeves makes an appearance, still use Wick as a crutch. Admittedly, it does seem slightly desperate, but, in 2025, at a point in time when even Disney can’t rely on a Captain America movie without Chris Evans to make money, a built-in audience is key when launching something quasi-new on the big screen. Those willing to take a chance on Ballerina will be treated to a film that has some of the thrills of the Wick films, but which, however, also struggles in notable areas.

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