Song Kang-ho and Gang Dong-won in Hirokazu Kore-eda’s BROKER — PHOTO: Zip Cinema & CJ ENM Co, Ltd, All Rights Reserved.
Directed by Hirokazu Kore-eda — Screenplay by Hirokazu Kore-eda.
First released in competition at the Cannes Film Festival last year, Broker is the 15th narrative feature from Japanese filmmaker Hirokazu Kore-eda. The film takes place in South Korea, and it primarily follows Ha Sang-hyeon (played by Song Kang-ho) and Dong-soo (played by Gang Dong-won) as they steal a baby from a baby box (a concept that was new to me) — a box where mothers can leave their newborn babies and thus anonymously give them up for adoption or an orphanage — to sell it on the adoption black market. Soon, the young mother (played by Lee Ji-eun) who abandoned her child tracks them down and joins them on a road trip to help them interview the child’s potential parents. Meanwhile, the authorities are on their trail and trying to catch them in the act of selling the bay.
A framed photo of the Kowalski family — PHOTO: Netflix.
The Netflix documentary ‘Take Care of Maya’ was directed by Henry Roosevelt.
It goes without saying that when you are in need of medical attention, you shouldn’t have to be afraid to take yourself — or your loved ones — to the hospital. That said, this documentary is an excellent example of how broken some healthcare systems (and Florida’s child welfare system) can be. This is the kind of documentary that is so powerful and infuriating that it makes you want to write lengthy rants online, so as to complain about how utterly despicable some of the things the system apparently did to the family at the heart of this heart-rending documentary were.
Ezra Miller as ‘younger alternate reality Barry Allen’ and Sasha Calle as ‘Supergirl’ in THE FLASH — PHOTO: Warner Bros. Pictures
Directed by Andy Muschietti (IT: Chapters One and Two) — Screenplay by Christina Hodson (Birds of Prey) — Story by John Francis Daley, Jonathan Goldstein, and Joby Harold.
Few films have had as storied and controversial pre-release periods as that of Andy Muschietti’s The Flash. A live-action solo film about DC’s speedster has supposedly been on the drawing board since the 1980s, back when no one had even thought to consider multiverse movies or toxic fandoms. Over the years, the idea changed shape multiple times (and went through multiple filmmakers’ hands) from solo film to team-up film to guest appearance and back to solo film within the Zack Snyder-orchestrated DC Extended Universe (DCEU), as one of the follow-ups to Snyder’s Man of Steel. While we waited for this film to materialize, The CW’s shared TV-DC Universe, the Arrowverse, came and went with Grant Gustin portraying The Flash in a nine-season-long series of the same name, which just ended this year (and which, notably, featured an appearance from Ezra Miller — the actor chosen by Warner Bros. to play the speedster on the big screen).
Miles Morales as Spider-Man (voiced by Shameik Moore) in Columbia Pictures and Sony Pictures Animation’s SPIDER-MAN: ACROSS THE SPIDER-VERSE.
Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson — Screenplay by Phil Lord, Christopher Miller, and Dave Callaham.
With 2018’s Spider-Man: Into the Spider-Verse, a vast team of storytellers caught lightning in a bottle, as they managed to make a film that not only captured what makes superhero and Spider-man films so electric and fun to watch, but they had also made an animated film with a groundbreaking animation style. At the same time, they managed to introduce the world to Miles Morales — a once lesser-known Spider-Man — in a way that made him an instant fan favorite. Into the Spider-Verse is one of the best animated films of the 2010s and arguably the century at the time of writing. Since then, a lot has happened. The idea of a multiverse film has become so mainstream that the Academy Awards has even given Best Picture to a multiverse-focused film. To add to that, we even got a live-action Spider-Man multiverse film with Spider-Man: No Way Home. It would be totally understandable to think that the idea of multiverse storytelling is played out and that no one is clamoring for more Spider-People. Thus, recapturing that same lightning in a bottle was not anywhere close to being simple. And yet, that is exactly what has happened with Across the Spider-Verse, the direct sequel to the 2018 animated hit. Across the Spider-Verse is not just more of the same.
Directed by Eva Longoria — Screenplay by Lewis Colick and Linda Yvette Chavéz.
Based on Richard Montañez’s memoir titled A Boy, a Burrito and a Cookie: From Janitor to Executive, Eva Longoria’s Flamin’ Hot follows Richard Montañez (played by Jesse Garcia), a Mexican American, as he gets a job as a janitor at Frito-Lay, which he hopes he can build a career from by slowly rising up the ranks. When the Frito-Lay factory where he is employed hears about the potential of significant layoffs, Richard tries to ‘think like a CEO.’ He comes up with the idea to pitch a spicy chip to Frito-Lay, which utilizes the kind of flavors that Mexican-Americans grow up with. However, when his own bosses won’t listen to him, he has to contact the CEO of PepsiCo (played by Tony Shalhoub).
Timothée Chalamet as King Henry V in THE KING — PHOTO: NETFLIX
Directed by David Michôd — Screenplay by David Michôd and Joel Edgerton.
Loosely based on William Shakespeare’s so-called Henriad plays, David Michôd’s The King follows the future King Henry V, “Hal” (played by Timothée Chalamet), as the once ne’er-do-well Prince of Wales inherits the throne to then go into war with France. In the film, at the Battle of Agincourt, Henry V relies on his chief tactician and companion Sir John Falstaff (played by Joel Edgerton) to lead his army to victory against the much larger French army led by Louis, the Dauphin (played by Robert Pattinson).
Sophie Thatcher, Chris Messina, and Vivien Lyra Blair in THE BOOGEYMAN — PHOTO: 20th Century Studios.
Directed by Rob Savage (‘Host’) — Screenplay by Scott Beck, Bryan Woods (writers of ‘A Quiet Place’ ; ‘65′), and Mark Heyman (co-writer of ‘Black Swan’).
It’s safe to say that The Boogeyman isn’t exactly a new idea. Not only is it built on the classic boogeyman — is there something in my closet or under my bed? — superstition and childhood fear, but it has also led to several films. Uli Lommel’s 1980 film of the same name spawned two sequels in spite of so-so-to-bad reviews, and Stephen Kay’s 2005 film Boogeyman, which was a financial success in spite of poor reviews, also spawned two sequels. It’s safe to say that audiences like to be spooked by this familiar concept. Well, this week, another film of its kind was released. What is different between the previous releases and this 2023 Rob Savage film is that Savage’s film is based on a Stephen King story.
Matt Damon and Viola Davis in AIR — PHOTO: Amazon Prime Video.
Directed by Ben Affleck — Screenplay by Alex Convery.
Ben Affleck’s AIR is a biographical drama about the origin of the highly successful original AIR Jordan basketball shoe, which was designed with Michael Jordan in mind when he had yet to actually play an NBA game. It follows Sonny Vaccaro (played by Matt Damon), a basketball talent scout for Nike, as he tries to convince first Nike and then Michael Jordan and his parents, including his mother Deloris (played by Viola Davis), to choose Nike, which was, at that time, not the massive company that it is today, as his brand of choice. There are, however, quite a few obstacles that Sonny must overcome. Jordan allegedly prefers Adidas, Nike likely cannot afford to compete with Adidas for his signature, Nike is considering axing their basketball division, and Sonny doesn’t have the best relationship with Jordan’s agent (played by Chris Messina).
Michael J. Fox in “STILL: A Michael J. Fox Movie,” now streaming on Apple TV+.
One of the things that I have thought a lot about since I was first made aware of this documentary has been my own relationship with Michael J. Fox’s work. I think I speak for a lot of people my age (and maybe even a slightly older generation) when I say that I grew up with his work. For my upbringing, Back to the Future was as important as Star Wars or Jurassic Park. Frankly, I think he might’ve even been my first favorite actor because I genuinely remember a young me watching films and shows solely because he was in them, including The Frighteners and Spin City. I remember hearing about his diagnosis when I was very young, and I probably think about him and his condition more than I realize. As such, I was always going to be interested in this documentary, which is why I am glad to say that Fox isn’t just a fantastic documentary subject, the documentary itself — from Davis Guggenheim (the Oscar-winning filmmaker behind An Inconvenient Truth, who, by the way, is married to Elisabeth Shue, who starred alongside Fox in Back to the Future Parts II and III) — is terrific as well.
(L-R) Peter Quill (Chris Pratt), Drax (Dave Bautista), Rocket (Voiced by Bradley Cooper), Gamora (played by Zoe Saldana), Groot (voiced by Vin Diesel), Nebula (played by Karen Gillan), and Mantis (played by Pom Klementieff) in GUARDIANS OF THE GALAXY, VOL. 3 — PHOTO: Walt Disney Studios Motion Pictures.
Directed by James Gunn — Screenplay by James Gunn.
“What a bunch of a-holes,” were the last words spoken in the very first trailer for James Gunn’s original Guardians of the Galaxy film back in 2014. Here was a trailer that introduced Marvel Studios’ biggest swing at that point in time — a team-up film built around a talking raccoon, a Chewbacca-esque tree, a wrestler in body paint, Avatar’s leading lady having swapped out her blue alien for a green one, and a minor supporting actor from Parks and Recreation, who was thrust into a stardom that he still enjoys. Back then it seemed like a huge risk to back C or D-list Marvel characters, but a lot can happen in nine years. Now, Rocket, Groot, Drax, Gamora, and Star-Lord are some of the most beloved characters in the Marvel Cinematic Universe, they had their own Star Wars-inspired Holiday Special just last Christmas, and the films’ director, James Gunn, is about to end his time with Marvel after having been both fired from (due to social media ‘receipts’ detailing offensive jokes) and re-hired for this very film in the late 2010s. Gunn didn’t just revive Blue Swede’s “Hooked on a Feeling,” and make your mom and dad know who Groot is, Gunn also established himself as one of Marvel’s actual auteur filmmakers, which is a reputation that has landed him a huge job over at Warner Bros. as the shepherd of the soon-to-be rebuilt DC Comics cinematic universe. But first, he had to finish his Marvel Studios trilogy. And, so, how did it turn out? Well, let’s just say, James Gunn’s Guardians of the Galaxy films go out on a high note, as they are now arguably the very best Marvel Studios trilogy.
I'm Jeffrey Rex 