Category: Movie Reviews

Drive-Away Dolls (2024) | REVIEW

Geraldine Viswanathan and Margaret Qualley in Ethan Coen’s DRIVE-AWAY DOLLS — PHOTO: Focus Features / Universal Pictures (Still image from trailers).

Directed by Ethan Coen — Screenplay by Ethan Coen & Tricia Cooke.

Ethan Coen’s Drive-Away Dolls is set in the late 1990s and the film follows friends Jamie (played by Margaret Qualley) and Marian (played by Geraldine Viswanathan) go on a road trip to Tallahassee, Florida. However, what complicates things is that, due to a misunderstanding, the drive-away car that they are given the keys to a car that three criminals had planned to take and which contains an all-important cargo that they desperately need to get ahold of. As a result, while the more promiscuous Jamie tries to get Marian laid on the way to Tallahassee, criminals are desperately following in their footsteps in an attempt to retrieve what the drive-away car contains.

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Brief History of a Family (2024) | REVIEW

The family that Yan Shuo (played by Sun Xilun) tries to insert himself into in BRIEF HISTORY OF A FAMILY — PHOTO: Films Boutique (Still image from trailers).

Directed by Lin Jianjie — Screenplay by Lin Jianjie.

Lin Jianjie’s Brief History of a Family (or ‘Blood and Water‘ as it is called in my region) is a Chinese mystery thriller flick that follows a young man, Yan Shuo (played by Sun Xilun), as he attempts to ingratiate himself with the wealthy parents of a classmate. This all happens after said classmate, Wei (played by Lin Muran), deliberately chucked a basketball at Shuo, while the latter was doing a pull-up exercise. When Shuo is injured, Wei takes pity on his classmate and invites him back to his parents’ apartment to play video games. When Shuo tells Wei’s family about his bleak daily life, they, too, take pity on him and begin to admire him for being everything Wei isn’t. As Shuo gradually becomes more and more a part of their family, Wei becomes jealous, while his parents’ past insecurities are revealed. 

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Blitz (2024) | REVIEW

Elliott Heffernan in “Blitz,” now streaming on Apple TV+.

Directed by Steve McQueen — Screenplay by Steve McQueen.

Despite sharing a name with the celebrated American Bullitt-actor known as the so-called ‘King of Cool,’ this film’s director, the British Steve McQueen, has done a lot to cement himself as one of British filmmaking’s most clear artistic voices, while at the same time becoming not only a critical darling but also someone who has been celebrated at award shows and, in general, for his contribution to culture. After he burst onto the scene as a feature filmmaker with the capital-g great films Hunger, Shame, 12 Years a Slave, and the underseen Widows, McQueen went on to make Small Axe, a phenomenal anthology series about racism, activism, and the joy and spirit of specific communities in mid-to-late 20th century Britain. Since then he has been knighted, and then gone on to make a couple of attempts at documentary filmmaking with his Uprising and Occupied City. Now, with Blitz, he has made his return to narrative feature filmmaking, and while it is not quite as good as his best output, it is absolutely consistent with the artistic interests for which we have come to know him.

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Heretic (2024) | REVIEW

Hugh Grant in Scott Beck and Bryan Woods’ HERETIC — PHOTO: A24 (Still image from trailers).

Directed by Scott Beck and Bryan Woods (65) — Screenplay by Scott Beck and Bryan Woods (A Quiet Place; The Boogeyman).

Though not their directorial debut, writing-directing duo Scott Beck and Bryan Woods had their mainstream, big studio debut as directors with last year’s Adam Driver-led sci-fi flick titled 65, which, despite having a great trailer, was a relatively disappointing and unremarkable film. This was a disappointment because, in recent years, the duo had proven themselves to be effective genre film writers with their awards-nominated A Quiet Place screenplay. With their latest film, Heretic, they’ve crafted a psychological horror film that proves their talents and that what they had done a couple of years earlier was by no means an accident or a fluke. This one is terrific.  

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‘The Piano Teacher,’ ‘The Iron Claw,’ and More | Review Compilation

(L-R, top row) The Piano Teacher (MK2 Diffusion); The Iron Claw (A24); The Watcher (New Line Cinema).
(L-R, bottom row) Imaginary (Lionsgate); The Strangers: Chapter 1 (Lionsgate).

In this review compilation, I have shared my thoughts on a Michael Haneke classic, as well as one of the most devastating wrestling movies. In addition to this, I have highlighted three different horror films from 2024, none of which, sadly, won me over. Read more below to find out why that’s the case.

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Gladiator 2 (2024) | REVIEW

Denzel Washington as Macrinus in Sir Ridley Scott’s GLADIATOR 2 — PHOTO: Paramount Pictures (Still image from trailers).

Directed by Sir Ridley Scott (The Last Duel; Alien) — Screenplay by David Scarpa (All the Money in the World).

Set around fifteen or sixteen years after the events of the original film, Ridley Scott’s Gladiator 2 follows Lucius Verus (played by Paul Mescal) who has built a new life for himself in Northern Africa, where he goes by the name ‘Hanno.’ When his new home is invaded by the Roman Army, led by General Acacius (played by Pedro Pascal), his wife is killed, he is taken as a slave, and is later acquired as a gladiator. He is forced to return to the capital region of the Roman Empire, which he was once a prince of but now holds hatred for. Lucius’ services as a gladiator are bought by the ambitious Macrinus (played by Denzel Washington), who aspires to control all of Rome, and Macrinus promises Lucius that, if they work together, he will work towards giving Lucius the opportunity to fight and take down General Acacius, who Lucius blames for the death of his wife. Unbeknownst to Lucius, however, General Acacius is married to Lucius’ mother, Lucilla (still played by Connie Nielsen), and he, in fact, has secret plans to start a revolution, restore power to the Senate, and remove the dangerous co-emperors of Rome, Geta (played by Joseph Quinn) and Caracalla (played by Fred Hechinger).

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My Old Ass (2024) | REVIEW

Aubrey Plaza and Maisy Stella in Megan Park’s MY OLD ASS — PHOTO: Amazon Prime Video (Still image from trailers).

Directed by Maisy Stella — Screenplay by Maisy Stella.

The strange title made me very curious about what this film was, and I am glad I found the time to watch it. Megan Park’s My Old Ass is such a sweet coming-of-age film that is oozing with charm. Here we find an 18-year-old young woman (played by Maisy Stella) who, through magic mushrooms and other unexplained occurrences, finds a way to communicate with her 39-year-old self (played by Aubrey Plaza) from the future. That is about all you need to know about the film, and, even if you have reservations about watching something with unexplained timey-wimey mechanics, I would suggest that you should get over that and enjoy this film for what it is, even though I, too, sometimes, raised an eyebrow at the mechanics of it all.

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‘Young Woman and the Sea,’ ‘Milk and Serial,’ and More | Review Compilation

(L-R, top row) BLACKBERRY (Elevation Pictures); MILK & SERIAL (that’s a bad idea); THE LAST VOYAGE OF THE DEMETER (Universal Pictures). (L-R, bottom row) YOUNG WOMAN AND THE SEA (Disney); VAN HELSING (Universal Pictures); Englemageren (SF Film).

I’ve been itching to get some of my thoughts on a wide variety of films out there here towards the end of the year. So, while there will still be both solo new release reviews and review compilations about TV-Shows, I’ve planned two or three film-related review compilations that’ll be released in the next few weeks. Today, I’m going to share my thoughts on a super popular YouTube film, two films from Norwegian film directors, and much more. Let’s get to it.

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The Substance (2024) | REVIEW

Demi Moore as Elisabeth Sparkles in Coralie Fargeat’s THE SUBSTANCE — PHOTO: Mubi / Camera Film (Still image from trailers).

Directed by Coralie Fargeat — Screenplay by Coralie Fargeat.

For whatever reason, there is a recent trend in French cinema where rising female filmmakers are gravitating towards horror filmmaking to tell stories with plenty to say. Palme d’Or-winning filmmaker Julia Ducournau is the best example of this, as her critically acclaimed oeuvre — consisting of Raw and Titane — is filled with sensationally good and attention-grabbing body horror films that in the case of Titane is so out there and distinctive that you can’t describe it without getting strange looks from the person you’re talking to about it. French filmmaker Coralie Fargeat — whose first film was the revenge thriller appropriately titled Revenge from 2017 — is following in her footsteps. Her sophomore effort was, similarly to Ducournau’s Titane, warmly received at the Cannes Film Festival. While Ducournau won the main award, Fargeat’s evocative and expressive body horror film The Substance earned her the festival’s prize for Best Screenplay. Like Raw and Titane when they were released, The Substance, which reportedly received a standing ovation at upwards of 9 minutes at its world premiere, is an excellent piece of genre filmmaking that is sure to be remembered as one of the best and most memorable films of the year.

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Smile 2 (2024) | REVIEW

Naomi Scott in Parker Finn’s SMILE 2 — PHOTO: Paramount Pictures (Still image from trailers).

Directed by Parker Finn — Screenplay by Parker Finn.

Set only days after the events of the original film, Parker Finn’s Smile 2 follows Skye Riley (played by Naomi Scottt), a genuine pop star, who is trying to improve her image as she prepares to go on tour following a very public struggle with rehabilitation from substance abuse and the traumatic car crash that she was in, which took the life of her boyfriend (played by Ray Nicholson) and which she is still in pain from. She is constantly supervised by her mother (played by Rosemarie DeWitt) and her team of assistants, and so, because of her history with substance abuse, when she needs painkillers from an injury she sustained, she feels compelled to do it behind their backs. However, when she secretly visits an acquaintance who also happens to be a drug dealer (played by Lukas Gage), everything goes wrong, as he is clearly troubled and he goes on to brutally kill himself whilst brandishing a disturbing smile. Desperate to cover her tracks, she rushes out and refuses to mention what she witnessed to anyone, but what she becomes gradually more and more aware of is that something was passed to her, and soon she starts to witness crazy things from people smiling creepily. 

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