The Greatest Hits (2024) | REVIEW

Lucy Boynton in Ned Benson’s THE GREATEST HITS — PHOTO: Disney+ / Hulu.

Directed by Ned Benson — Screenplay by Ned Benson.

Ned Benson’s The Greatest Hits is a romantic fantasy film that follows Harriet Gibbons (played by Lucy Boynton), a woman mourning her boyfriend Max (played by David Corenswet) who recently died in a car crash. To recover emotionally, she takes part in grief support group meetings, but she doesn’t know how to move on because whenever she hears a song that she listened to while she and Max dated, she is emotionally transported through time to the moment she heard it, while, for everyone else, it just looks like she is passing out or having a seizure. Harriet has become obsessed with the idea that she can use this condition and/or ability to travel in time and prevent Max’s death. However, she is also starting to become emotionally involved with another member of the support group named David (played by Justin H. Min).

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‘Next Goal Wins,’ ‘Wonka,’ and More | Bite-Sized Reviews

(Clockwise from top left): Next Goal Wins (Searchlight Pictures); Wonka (Warner Bros. Pictures); Fingernails (Apple TV+); Transformers: Rise of the Beasts (Paramount Pictures); Sleepers (Warner Bros. / PolyGram Filmed Entertainment).

In this edition of Additional Bite-Sized Reviews, I give you my thoughts on 1) a film about football that underwhelmed me, 2) a prequel that surprised me positively, 3) a so-so Apple TV+ Film, 4) a film starring Robert De Niro and Kevin Bacon, and, finally, 5) a sequel to a film series that has pretty much lost me at this point.


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Kingdom of the Planet of the Apes (2024) | REVIEW

Proximus Caesar (played by Kevin Durand) in Wes Ball’s KINGDOM OF THE PLANET OF THE APES — PHOTO: 20th Century Studios / Disney.

Directed by Wes Ball — Screenplay by Josh Friedman.

The Planet of the Apes franchise is one of the most iconic and most beloved long-running science fiction film franchises. Despite it, admittedly, featuring a significant number of films and shows that the world has largely forgotten about (including Tim Burton’s 2001 remake), this franchise also happens to have a genuine science-fiction classic adaptation with one of the most famous and unforgettable movie endings of all-time (that is uniquely in the style of Rod Serling, i.e. the creator of The Twilight Zone who co-wrote the 1968 Apes-film), and every now and again these films represent massive leaps forward for the film industry either through prosthetics, visual effects, or motion performance capture. As if that wasn’t enough, despite failing to capture wide audiences’ interest for quite some time, the iconic franchise broke through once more with the reboot trilogy of the 2010s from directors Rupert Wyatt (of the strong and emotionally engaging Rise of the Planet of the Apes) and Matt Reeves (of the jaw-dropping near-masterpieces Dawn of the Planet of the Apes and War for the Planet of the Apes). 

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The Fall Guy (2024) | REVIEW

L to R: Ryan Gosling is Colt Seavers and Emily Blunt is Judy Moreno in THE FALL GUY, directed by David Leitch — PHOTO: UNIVERSAL PICTURES.

Directed by David Leitch — Screenplay by Drew Pearce.

Apparently relatively loosely based on an ‘80s action-adventure TV series of the same name starring Lee Majors, David Leitch’s The Fall Guy follows a Hollywood stunt performer named Colt Seavers (played by Ryan Gosling), who, after suffering an injury during a high-profile stunt, has left the industry, as well as his camerawoman girlfriend Jody Moreno (played by Emily Blunt), behind. However, when a film producer from his past, Gail (played by Hannah Waddingham), contacts him and tells him that Jody needs him on her feature directorial debut, he rushes back to a movie set in the hopes of rekindling his romance with Jody. When he arrives in Sydney, Australia for production, he finds out that Jody didn’t actually ask for him, but he also learns that Gail needs him to find actor Tom Ryder (played by Aaron Taylor-Johnson) — i.e. a movie star that Colt is a stunt double for — who has gone missing and whose absence may cause Jody’s first film as a director to be canceled, thus harming Jody’s chances of having a career as a director in the industry. To investigate things and ensure Jody’s film remains in production, Colt will have to put his skills as a stunt performer to good use.

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Challengers (2024) | REVIEW

(L-R) Mike Faist, Zendaya, and Josh O’Connor in Luca Guadagnino’s love triangle tennis film titled CHALLENGERS — PHOTO: Amazon MGM Studios (Still image from trailers).

Directed by Luca Guadagnino — Screenplay by Justin Kuritzkes.

The Palermo-born Italian auteur Luca Guadagnino is fast rising into the ranks of becoming one of my favorite current-day European filmmakers. His transformative and beautiful Call Me By Your Name, of his Desire trilogy, blew me away in ways that I hadn’t anticipated. While I’m not sure I like it more than the film he remade, Guadagnino’s reworking of Suspiria had a vibe and a climax that has made certain chilling images stick with me. Then a couple of years ago, he reteamed with Timothée Chalamet to make a sensational genre-bending cannibalistic romance film, in Bones and All, which is probably more of a cult film than anything that would appeal to a wide audience. His latest film, however, is easily Guadagnino’s most accessible film yet. While I don’t think it’s his best film, it’s easily one of the most entertaining and inventively shot films I’ve seen this year. Challengers is a stylistic, sexy, and sweaty sports love triangle drama that gets the most out of the subgenres it fits in.

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