The following is a review of Green Book — Directed by Peter Farrelly.
Today, as I was sitting in the theater watching Green Book, less than ten hours after it had won Best Picture at the 91st Academy Awards, I was briefly reminded of Mark Kermode’s thoughts on revisiting Moonlight after it had become an Oscar contender and then Best Picture winner. In his video, the British film critic remarked that he found himself seeing the film in a different light. It was no longer an indie hit — it had evolved and he saw different things in it. The film had risen to meet the expectations that the label ‘Best Picture winner’ brings with it. Continue reading “REVIEW: Green Book (2018)”